It’s Annabelle’s World…

…but she’d like you to come and visit.

A few years ago (Four? Five?) I was looking at one of my favourite paintings, Reflections On The Aire: On Strike, 1879, by Leeds artist Atkinson Grimshaw and a story came to me, fully formed, out of the ether.

That was my introduction to Annabelle. Annabelle Atkinson, she was then, sitting and looking at the picture with me, telling me how it came about that she was in it, looking back a decade to that days she stood on the banks of the river to be sketched.

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We met again when I settled down to write Gods of Gold, set during the Leeds Gas Strike of 1890. She was Annabelle Harper then, freshly married, flushed with happiness but with her feet firmly planted on the ground. With a flourish of her silk gown as she sat, she pushed me over on the chair.

‘I was there, luv,’ she told me. ‘I saw it all happen. Come on, I’ll tell you about it.’

Since then, we’ve spent quite a lot of time together. She’s in three of my published novels – Gods of Gold, Two Bronze Pennies, and Skin Like Silver. The fourth, The Iron Water, comes out in July, and I’m working on the fifth. I’ve shared the way Annabelle has blossomed. She’s the emotional centre of the novels in so many ways. She’s become a canny, successful businesswoman and a member of the Leeds Women’s Suffrage Society – and one of its speakers.

It was one of her Suffragist speeches, brought to breathing, passionate life by Carolyn Eden at the launch of Skin Like Silver, that was the catalyst for the play The Empress on the Corner.

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‘That’s her,’ Annabelle told me the day after the launch. ‘She’s the one to be me. Now, you, you’d better start telling my story. Are you listening? I’ll begin.’

I didn’t have a choice – when you have someone like Annabelle, she dictates what will happen. And so I wrote her story. Or perhaps I simply wrote down what she dictated.

The presentation is still a work in progress, and it will be sections of the complete play, not the entire thing. But it’s the story of growing up in a poor Irish family on the Bank in Leeds in the mid 1800s. Of having two choices in life, mills or maids. Of luck, of taking the chance to use her good mind. Of understanding that there’s more, that she can raise her voice for others.

It’s a Leeds story. It’s a political story. It’s a love story. But above everything, it’s Annabelle’s story.

And she reckons you need to come and see it. Believe me, I’ve learnt, you don’t argue with Annabelle, she’ll win in the end.

So you’d better go here to buy your ticket and we’ll see you on June 4, 2.30 pm at Leeds Central Library. It’s part of the wonderful Leeds Big Bookend festival.

Annabelle has her ticket. She’ll be on the side of the front row, with a big grin on her face, pleased as punch. Say hello to her after they play.

The Play’s The Thing

Empress 4

Book your ticket here.

Last year, at the launch of the third Tom Harper novel, Skin Like Silver, an actor named Carolyn Eden became Annabelle Harper, giving a speech of suffragism that Annabelle delivers in the book.

She inhabited the character and brought to life a woman who’s lived in my head for a few years now. I’ve tried to tell Annabelle’s story in fiction, but suddenly I saw another way. A play. A one-woman play.

The process of rehearsals has tentatively begun with a read-through and we’ll be moving ahead. The good people at Leeds Big Bookend will be giving us a chance to show some of it on June 4 at 2.30 pm in Leeds Central Library. It’s a work in progress, an exclusive preview. You’ll have a chance to see where it’s going, to become part of Annabelle’s story.

Made in Leeds TV have plans to film Annabelle’s story at historic locations around Leeds and she seems to be drawn to radio too. There’s no substitute for the live experience, but you might be treated to a sharing of more than the stage version as the project develops.

It’s a picture of working-class Leeds in the 19th century, from the grinding poverty of the Bank to relative prosperity as the landlady of the Victoria public house in Sheepscar, and her awakening to the world, to feminism and politics. It’s a story for all of today, as much for today as more than a century ago.

The pleasure and love along with pain. And hope. Because every story needs outrageous hope. Tickets are now on sale, and it will be worth your while. Annabelle will be very much alive in front of you.

You can find out more and book your tickets here.

You need to come.

Louis Le Prince The Vanishing Man Of Film

I’m thrilled that The First Film is coming out, making the case for Louis Le Prince making the first moving pictures in Leeds. That alone is wonderful, giving the man his due. But there’s another part to the tale – his mysterious disappearance in 1890. No trace of him has ever been found. And that’s how he comes into Two Bronze Pennies. Here are a couple of short extracts, just to give you the flavour of it…

In bed a little later, she lay in the crook of his arm, her hair spread out across the pillow.

‘I have to meet the French copper tomorrow,’ he said.

Annabelle stirred a little and placed a hand on his chest, right over his heart.

‘Is this that Le Prince thing?’ she asked.

‘For whatever it’s worth. I doubt there’s anything for him to find here.’ It was all going to be a waste of time, he felt sure of that.

‘I met him once, you know.’

Harper raised his head. ‘Le Prince? You never told me that.’

‘There’s plenty you don’t know about me yet, Tom Harper.’ She was lost in thought for a few moments. ‘It must have been four or five years back now. His wife was involved with some charity. They were having a do up at the cavalry barracks and I was invited.’

‘You? Why?’

She shrugged. ‘I gave them a little money. Anyway, he was there with her.’

‘What was he like?’

‘Pleasant enough, I suppose. We only exchanged a couple of words. He was very French. I liked his wife, though. No side on her at all.’

‘Did you ever see the moving pictures he made?’

‘No. I wanted to. Old Charlie Turner – you know, the one who owns Hope Foundry – he offered to take me, but I don’t know, there must have been something else I had to do. He told me he couldn’t believe his eyes.’ She shifted slightly in the bed. ‘What time does this fellow get in tomorrow?’

‘Just after twelve.’

‘Why don’t you bring him back here for his dinner? I’ve got a nice piece of beef. I’ll give him some Leeds hospitality if you like.’

*****

Couples and families moved away from the platform. A pair of businessmen with shiny top hats and determined frowns passed him. All that remained was a man on his own, carrying a valise and shambling along.

His hair was long, all the way to the collar of his heavy greatcoat, and a battered hat was pulled down tight on his head. He looked around, curiosity in his eyes. Harper lifted a hand in greeting and the man began to stride towards him.

‘Captain Muyrère?’

‘You’re Inspector Harper?’

They shook hands, Muyrère’s as big as a bear’s paw. His moustache was shaggy, as unkempt as the rest of him. But he seemed perfectly comfortable with himself.

‘Call me Tom, please. I’m here to help you.’

‘Bertrand. Muyrère. From Dijon.’

He spoke English clearly and fluently, the accent no more than an undertone. He stood a good four inches taller than Harper and at least three stone heavier. But he carried himself well, his gaze seeking out all the sights around him.

‘I can take you to your hotel.’

‘Good.’ Muyrère smiled. ‘But first, please, a cup of tea. Train journeys always make me thirsty.’

‘Of course.’

Sitting in the Express Tea Room on Wellington Street he was surprised at the way the man seemed to relish the drink, sipping deeply then lighting a cigar. His eyes twinkled with amusement.

‘You’re wondering, Tom. I can see it on your face. All those questions. Why do I speak English well, why do I like tea?’

Harper laughed. ‘That obvious?’

Muyrère cocked his head. ‘We’re policemen, we read people, monsieur, it’s our job. I lived in London for three years after the war. I learned the language and I came to appreciate your drink.’ He raised the cup in a toast.

‘War?’ He couldn’t remember a war.

‘Twenty years ago, Inspector.’ He smiled kindly. ‘You were no more than a child then. I was in the French army. The Prussians beat us.’ His eyes clouded at the recollection. ‘So many men died. Good men, some of them. I decided it was best to leave France for a while.’ Muyrère shrugged. ‘I went back and became a policeman. And now I’m trying to find out what happened to Monsieur Le Prince.’ He finished the tea. ‘I’m in your hands, Inspector.’

Harper had booked the captain into the Old Hall Hotel on Woodhouse Lane. As they entered, he glanced back to look at the Cork and Bottle on the Headrow.

The hotel room was small but comfortable – a good mattress, clean, the bedding fresh and aired. Muyrère nodded his approval and left the case on the bed.

‘What now, Tom?’

‘My wife wondered if you’d like to join us for Sunday dinner. She thought you might not know England.’

The Frenchman bowed his head slightly.

‘I’d be honoured, of course.’ He patted his belly. ‘I have a rule, never refuse a meal.’

‘Have you just come over from Dijon?’

‘No.’ The man grinned. ‘I have friends in London. I spent Christmas with them. I needed to talk to Scotland Yard.’

‘Have you learned much yet?’

Muyrère shrugged once more, a gesture that seemed to say everything and nothing.

‘Time will tell.’ He pulled out his pocket watch. ‘And now… your wife will be expecting us?’

A hackney took them out along North Street. Muyrère stared with eager curiosity at the factories and the cramped back-to-back houses, saying nothing but taking it all in. He gave a quizzical look when the cab stopped outside the Victoria, then followed Harper inside and up the stairs.

Annabelle bustled out of the kitchen when she heard them, removing her apron and tossing it on the back of a chair. She was flushed with the heat of cooking, but dressed in her favourite gown, the dark red and blue that set off her features. Her hair was up, elaborately pinned, and she was wearing the jet pendant.

‘Madame Harper,’ Muyrère said, taking her hand between both of his and kissing her lightly on the cheek. ‘Thank you for your invitation. It smells delicious.’

She smiled. ‘Sit yourself down. The Yorkshires are almost done. Tom, take his coat and pour him a drink. I’ve even got a bottle of wine. I thought you might like that, being French.’

They talked about life, about France and Leeds. About everything but work. Muyrère was charming and funny, praising the food and the cook, clearing his plate of the Yorkshire pudding with onion gravy, then the beef, potatoes and vegetables. He only shook his head when Annabelle suggested pudding.

‘Madame, you’ve filled me. No more, but thank you.’

He drank slowly, savouring the wine and smoking another cigar as the others ate.

‘Annabelle met Le Prince,’ Harper said.

‘Really?’ He stared at her with interest. ‘I never had the chance. What did you think of him?’

She reddened a little. ‘About all we said was “How are you?”. He seemed nice enough. I liked his wife, though. Poor thing must be sick with worry.’

‘He really just vanished?’ Harper asked. ‘That’s what I read.’

Muyrère nodded and lit a thin cigar. ‘His brother claims he saw him on to the train in Dijon. When it arrived in Paris, no Le Prince, no luggage.’ He raised his eyebrows. ‘Other people saw someone board, too. I talked to porters at the stations on the line. No one remembers him getting off.’

‘Are you sure the brother’s telling the truth?’ Harper asked. It was the obvious place to start.

‘No one can say it was definitely Louis who boarded. No one else talked to him.’ The man chose his words carefully.

‘No sign of a body in Dijon?’

‘Nothing. We searched the brother’s house, his business. And no sign of the camera.’

‘Very strange,’ the inspector admitted. ‘Have you talked to the passengers on the train?’

Muyrère moved his head from side to side. ‘The ones I could find. No one saw anything.’ He gave a small, wry smile. ‘Of course.’

Harper understood. Finding witnesses was always difficult. Reliable ones were even rarer.

‘Was he on his way back here?’ Annabelle asked.

‘No, madame. To America.’ Muyrère sighed. ‘Now we come to the difficult part. Two years ago, Le Prince was granted patents on his moving picture camera over here and in America.’ He held up a single finger. ‘That was for his camera with sixteen lenses. But he’s developed a new camera with just one lens, and he wanted a patent on that.’

‘But if he’s invented it, what’s wrong with that?’ Annabelle asked with a frown.

‘Nothing,’ Muyrère agreed. ‘But there are others seeking a patent on cameras that do the same thing. Powerful men in France and America.’

‘That’s enough to make you wonder,’ Harper said.

‘It is, Inspector.’ The voice was slow. ‘I’ve never come across anything like this before. Have you?’

‘No.’ He didn’t envy the man his job. Three countries and business rivalries? How could anyone solve that? He was on a hiding to nothing.

‘And I hope you never will,’ Muyrère chuckled. ‘Believe me, monsieur, you don’t want it. Theft, burglary, murder. Those I understand. But this… I don’t think we’ll ever know the truth. Not the whole truth.’ He gave his shrug once more and stood. ‘Now, if you’ll forgive me, I’m tired. Trains might be fast but they’re not so comfortable. Madame, thank you again. Tom, we’ll work tomorrow?’

‘I’ll come to the hotel at eight.’

Merci.’

That’s Somethin’ Else

A little less than five years has passed since Creme de la Crime took a chance on me and published the first Richard Nottingham book, The Broken Token. Someone believe in my writing enough to put an entire novel in print and get it out there. It’s impossible to describe how it felt at the launch in May 2010. Proud doesn’t come close. My only regret was that my parents weren’t alive to see it.

Now, in little less than a month I have another new book out, and there have been a fair few in between. Since I was given that first opportunity, I grasped it hard, and I’m immensely grateful that people what to publish and to read what I write.

I write every day. Every single day of the year. It’s what I do. I’m many things, as we all are, but writer is very close to the top, if not right at the peak. I love to write. It’s a pleasure. It’s an honour. I still do a fair bit of writing about music, my avocation, but the focus is on the novels.

Overnight success is rarely that. Writing is a craft to be mastered, and that takes time. We never master it, not really. We just keep trying. I know I am. I attempt new things. Some work, some don’t. And I keep trying to gain readers, one by one, and hang on to those who like my work.

Bit by bit, I try to move ahead. I’ll never be a bestseller. I’ll never win the Nobel Prize for Literature (my hope when I was in my teen and foolish). I’ve found what I do and it took long enough. But the movement is there and in the last 12 months it seems to have been a giant stride, first with Gods of Gold, then with Dark Briggate Blues. Lovely reviews, press coverage, plenty of people at the launches and events I’ve done. That’s incredibly heartening.

Both books are up for the CWA Historical Dagger. I may win, I may not – there are plenty of betters writers out there. Dark Briggate Blues is up for a Regional Read.

I’m lucky, I have publishers who believe in me. I’m not lost somewhere in the mid-list of some publishing giant. I can phone the publishers I deal with and talk to them. They do all they can to push the books with excellent publicists. I’m proud of everything I’ve put out. I’ve made many wonderful friends and had their support and had the chance to know and befriend writers who’ve influenced me. That’s pretty amazing to me.

But today, today felt like a quantum leap. I had to go into Waterstones in Leeds – the local branch of a national chain where I held the launch for Dark Briggate Blues and recently did a signing. My books weren’t on the shelf. No, the manager told me, and showed me. One is displayed on a table. And then he showed me something else. My books have their own table in the crime section, because they’re selling so well. Only two of them at present, because the third they stock is currently sold out. And they’ll be getting in the hardback of Two Bronze Pennies when it’s published.

I was amazed. In fact, I walked out without taking a picture of it. A few steps before I realised my stupidity and walked back in. Success isn’t a fortune in money. This is what it looks like. And thank you all.

Wastones table