The Leaden Heart On Tour (And A Video)

32 days…just over four weeks and The Leaden Heart will be leaping out of the publisher’s hands and into the shops.

It’s the seventh Tom Harper book. Over the course of the series he’s risen from Detective Inspector to Detective Superintendent, in charge of ‘A’ Division, Leeds City Police, based at Millgarth. It’s 1899, and that promotion happened four years earlier, but he’s still the same Tom. He and Annabelle still live at the Victoria public house in Sheepscar, which she owns. She’s two years into a term as Poor Law Guardian, very involved in her work.

But Tom’s life is about to undergo seismic changes, when his old colleague Billy Reed telephones from Whitby. His brother has died, he’s coming to Leeds and needs a place to stay for a few days.

Going through his brother’s papers, Billy discovers more than he wanted to know. And Tom Harper learns that crimes have been going on in Leeds that he never even knew about. As he tries to put an end to it, the violence becomes ever more brutal.

That’s the essence, and I’ve put together a video trailer. I think it gives some of the atmosphere of the novel and the time…

The Leaden Heart will be available for reviewers and bloggers on NetGalley from the beginning of March. If you’re on there, please request a copy (or drop me a line if you need help).

You can pre-order on Amazon, although both Speedy Hen and Hive are much cheaper and don’t charge postage. And the ebook will be available globally from May 1.

Finally…The Leaden Heart is going on tour over the next couple of months. These are the dates and it looks as if there may be more to come. If you can, why not come along? All the events are free….no tour tee shirts I’m afraid – but there will be merchandise (books!)

Thursday, March 7, 2019, 1:10pm-1:50pm, Holy Trinity Church, Boar Lane, Leeds. Part of Leeds Literature Festival.

Saturday, May 11, Leeds Central Library, (time tbc) #foundfiction festival.

Thursday, May 16, 2019, the Leeds Library, Commercial St., Leeds, 6.30-8pm. In conversation with Candace Robb and Sara Porter (editor, Severn House)

Tuesday, May 21, 2019, De Grey Lecture Theatre, York St. John’s University 6-8pm. In conversation with Candace Robb and Kate Lyall Grant (publisher, Severn House)

Saturday, June 8, 2019, Yorkshire Archaelogical Society, Swarthmore  Education Centre, Clarendon Rd, Leeds, 11 am

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Finding The Leaden Heart – The Tin God

Tom Harper is returning very soon – just over a month from now – but it’s impossible for me to look ahead to The Leaden Heart without glancing back at The Tin God.

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I’m immensely proud of this book, not only for what it is, but the things it spawned. It celebrated real history, women being able to vote and stand as candidates in some local elections, an event that was the first real step on the road to the democracy we understand these days. And Annabelle Harper was at the heart of it, running to be a Poor Law Guardian for the Sheepscar ward. She was one of seven working-class women around the city running to be Guardians.

But there was a man who would do anything to keep women out of politics. Anything at all.

That didn’t stop Annabelle giving speeches – like this one.

The clues the man left at every scene were snippets of folk songs, so Harper consulted a local song collector, a real name named Frank Kidson. Out of this book came this article I wrote on the man:

And, of course, a playlist of music he’d collected that featured in the book.

For once, Annabelle really did take centre stage, even if it was Tom and his men who had to solve the crime. She had to try and be fearless, not easy when someone was trying to kill you.

The book was launched at an exhibition called The Vote Before The Vote. I was incredibly proud to be involved with it, celebrating those Victorian Leeds woman who were working for the vote and women’s rights before the Suffragettes appeared in 1903. I was even more proud that Annabelle had her own board as part of it. From fiction, she’d stepped directly into Leeds history. She’d have been over the moon.

That launch even sparked a film of its own, a glorious mystery from film maker Daisy Cale.

The book was a gift. It came to me in a flash when a historian friend – who actually curated The Vote exhibition – said ‘Why doesn’t Annabelle run for office?’ After that it was all so clear.

I did my only blog tour for the book, and it received some glowing reviews – and even a wonderful review in the Morning Star. These are some snippets or click here to read more.

reviews

It left me with a problem, however. How do I top it? Can I top it?

The Leaden Heart is my attempt at doing just that. You’ll be the only ones who can judge whether I succeed. And you can do it soon – even pre-order the book…

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Finding The Leaden Heart – Skin Like Silver

It’s interesting to revisit the Tom Harper series of books leading up to the publication of the seventh, The Leaden Heart, on March 29 (obligatory self-promotion inserted). I’ve found myself think deeply about them and understanding things that hadn’t always made sense to me before.

Writing Skin Like Silver, I knew the books were taking a turn, and that Annabelle Harper was fighting her way forward to become a more important character, someone more than Tom’s assertive, gobby wife. And she succeeded. She became involved with one of the growing issues of the 1890s – suffragism. This was before woman had any representation at all, even on the local level (that would start in 1894), and a full decade before the Suffragettes formed.

The idea of women standing up was at the heart of the novel, but somehow or other, Annabelle’s involvement with the Suffragist movement, becoming a speaker, grew into a central idea. I thought of it as her book, and perhaps it was, although that would change (if anything really is Annabelle’s book, it’s The Tin God. But more of that next week).

Skin Like Silver did make me understand how important she could be in the series, and that the idea of family needed a greater and greater role. Well, I had no choice. Annabelle demanded it. And with this much of the complexion of the series changed. While it didn’t become about her – although she’s figured strongly in the books since, the series has turned more into the chronicle of a family in late Victorian/Edwardian times as much a series of crime novels.

It was a sign that Annabelle was carrying everything before her that she was there for the book launch at the Leeds Library, giving one of the Suffragist speeches she makes in the book. A surprise for the audience, too, when she appeared out of the darkness. Actor Carolyn Eden did a remarkable job (as she has several times with Annabelle), inhabiting the character.

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Very likely all crime writers believe the same, but I realised that the Tom Harper novels were more than just murder mysteries. It sounds pretentious, and God knows I want them to entertain, but I wanted them to be more. Windows into how people lived and struggled. What Leeds was like back then.

I’m still trying. And here’s me rabbiting on about the book just before the launch.

I still love this book. It feels bigger than its pages, somehow. With the writing of it, the entire series pivoted. I’m still a little astonished by that. It proves writers are conduits. The words flow through us, rather than being formed by us. And that’s a piece of magic I don’t want to investigate too closely in case I jinx it.

Finding The Leaden Heart – Two Bronze Pennies

When I started out, I had a plan of sorts for the Tom Harper books, a series arc, if you like. Of course, like all good books, they’ve long since ignored that and developed their own scheme that looks further into the future than I’d ever imagined when it all began.

But in 2015, when Two Bronze Pennies appeared, it was still sticking close to the idea.

I definitely wanted to write about the Jews in Leeds. They’ve been such a powerful, vital force, although in 1890, most of those here were poor and powerless, crammed and squeezed into the Leylands, just north of the city centre.

I did that, and I hope I did it well. There are some references to the legend of the Golem (at one point I wanted to call the book The Golem of Leeds, but my publisher said no. A wise move, in retrospect).

It’s a novel of changes. The influx of immigrants to Leeds, the prejudice against them that still echoes in today’s Islamophobia. The change, the rift that occurs between Tom and his sergeant, Billy Reed.

And there’s another story in there, too, that of Louis Le Prince, the man who arguably invented the moving picture. He lived in Leeds, developed those early movies here, and vanished without trace on a visit home to France.

Le Prince’s first film, taken in his father-in-law’s garden in 1888

Traffic Crossing Leeds Bridge, shot by Louis Le Prince in 1888

Even today, more than a century on from those times, no one knows what happened to him. But a mystery like that was too good not to use in a book about Leeds at the time. Sometimes life makes your decisions for you.

I wanted to capitalise on the wonderful reviews that Gods of Gold had received. I had plans for the launch people. Big plans. Something that could involve people from all over the world.

Live streaming was still new and unusual then. Hard to believe, I know, when it was only five years ago, but that’s the case. I signed up to use a particular platform. I was going to talk, answer questions people typed, and my friend Shonaleigh, a storyteller and drut’syla, was going to tell a Jewish story (please go and see her if you ever have the chance; she’ll transport you).

For whatever reason, when the time came, I wasn’t able to connect to the platform. It was all a bit of a bust. I felt foolish, that I’d let everyone down and disappointed them. My big plans had crumbled, defeated by technology. I did the only thing I could – hurriedly made this video the next day and posted it (apologies for the sound quality). The beard has long since gone, you’ll be pleased to know.

The reviewers liked the book (thankfully). And with two books, Tom Harper was on his way. From swearing I’d never write Victorian crime, I was up to my neck in it. But the characters didn’t intend to keep to the plans I’d made for them…

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Finding The Leaden Heart – Gods Of Gold

As I’ve mentioned before – and I’ll be saying again and again – the end of March sees the publication of my new book, The Leaden Heart. It’s the seventh in the Tom Harper series, set in 1899, on the cusp of a brand-new century that is set to bring more changes that anyone could imagine.

In the weeks leading up to it seeing the light of day, time to revisit some of the book in the series…

Hard to believe that it’s only five years since Tom made his first appearance, met as he sprints down Briggate in pursuit of a thief. That’s where it all started, with Gods of Gold, set during the 1890 Leeds Gas Strike, which the union won in just three days, a rare example of the workers coming out on top.

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It was strange that the book even appeared. I’d written six Richard Nottingham novels, and my publisher asked for something different. I’d always sworn I’d never set anything in Victorian times. But after that I read about the gas strike and I knew it ought to be celebrated. I received help from a strange source, a woman I’d met before, as I’d written a short story about her (Annabelle Atkinson and Mr. Grimshaw). She sat down next to me and said, ‘I was there, luv. I was the landlady at the Victoria. Why don’t you let me tell you about it?’

And so Gods of Gold came about. The title is from a poem by Tom Maguire, one of Leeds’ great unsung political figures, a man who did so much for the working classes here, only to die in poverty far, far too young. He’s buried at Beckett Street Cemetery.

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Joanne Harris, the bestselling author (who has a new book coming called The Strawberry Thief) was generous enough to praise the novel: “A vibrant sense of living history, with strong, well-drawn characters…I loved it.”

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I made a trailer for the book, and here it is, all dusted off and YouTube shiny.

For the launch, I even had 10 tee shirts made, featuring the cover image. Remarkably, nine of them sold, and I still have the other in a drawer. And there were book marks.

Apart from Tom, the book also featured Detective Sergeant Billy Reed, who’s featured in every book so far, as well as Constable Ash, who’s grown since his introduction in uniform. But there was someone else, that woman who told me all about the strike. Annabelle Atkinson.

She’s Annabelle Harper now, of course, and has been for a long time. But they were still courting in those early days, and I had no idea how important a figure she’d become in the series, it’s emotional linchpin, in fact. As the series progresses, in many ways it’s become the story of the Harper family, how they change and age over the years, as much as they’re crime novels or historical fiction. Or why not all three? I ended up writing a play about Annabelle, called The Empress on the Corner, which was performed a few times. A couple of scenes were filmed, including this, which recounts how she and Tom first met. The Victorian pub is part of Abbey House Museum in Leeds – they were kind enough to let us film.

In those days I didn’t know the books would end up taking on such a life of their own. At the risk of sound pretentious, the series has taken on the feel of my magnum opus. Like any writer, I was fumbling in the dark, not sure where things were heading. I have a much clearer sense of things now. That doesn’t mean the people will do what I expect and hope. After all, they’ve gone their own way in the past six books.

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2019…It’s Arrived.

Well, here we are, squarely in a new year. That means it’s time to look ahead, especially as I’m putting the final touches to what I hope will become the eighth Tom Harper novel – if the publisher wants to put it out, of course.

New beginnings.

Before any of that, however, the seventh Tom Harper book will be published at the end of March. Called The Leaden Heart, it’s set in 1899 in a Leeds that’s changing and pushing its way towards the 20th century. Here’s a very short extract:

Harper had just finished putting together the duty roster for August when the telephone rang, the line crackling harshly enough to hurt his bad ear.

‘Tom? It’s Billy. Billy Reed.’

Reed had been a good friend once, the sergeant to Harper’s inspector, until they fell out. Then he’d transferred to the fire brigade and been promoted. Two years ago he’d taken a job in Whitby, in charge of police there.

Annabelle and Elizabeth, Reed’s wife, were still close, exchanging regular letters. She ran a tea shop now, close to Whitby Market. Harper and his family had visited the Christmas before last. It had been a pleasant few days, but not the way it had once been. That would never return.

‘How are you?’

‘I’m fine,’ Reed answered quickly. ‘I hate to ask, but I could use a favour.’

‘What’s happened?’

‘My brother died, so I have to come back to Leeds for the funeral. I think you met him once.’

Long ago. Charlie? He thought he vaguely remembered the name. Thin and pale, with mousy hair and a waxed moustache.

‘I’m sorry, Billy.’

‘We were never that close, but…’

Of course. It was family. Harper understood.

‘Do you need somewhere to stay? Is Elizabeth coming with you?’

‘If you don’t mind. He lived in Harehills and the Victoria’s close. It’ll only be for a few days, if that’s all right. Elizabeth is run off her feet at the tea room. Whitby’s full of holidaymakers and the tea room is packed every day. Besides, she never really knew him.’

They had an empty attic room at the pub. It wasn’t much, but the bed was comfortable.

‘Of course. You know you’ll be welcome, as long as you need,’ Harper said. ‘When are you arriving?’

‘This afternoon. The telegram only came an hour ago.’

‘We’ll expect you.’

He lowered the receiver, picked it up again and asked the operator for the Victoria. They’d had a telephone installed at the beginning of the year. Between his rank and Annabelle’s post as Guardian, he hadn’t been able to fight the idea any longer.

She picked up on the third ring, listening as he explained.

‘I’ll air it out for him.’

the leaden heart revised

 

You can pre-order the book already. The cheapest price seems to be here, with free postage in the UK, although the company seems to have mixed reviews. Here is slightly more expensive, but also has free shipping and is highly-rated.

I also seem to be quite busy with events this year, and maybe more to add to that list. I’m not entirely certain how that’s happened, but they’ll all be fun, especially the two with my good friend Candace Robb and editors from the publisher that issues both our books. It all begins next Friday, January 18, with a talk at Kirkstall Abbey – a place with a very deep history of its own – on the Battle of Holbeck Moor, the incident which kicks off The Dead on Leave. My notes are already prepared…

There will be one more book to come this year, out at the end of September. It’s the sequel to The Hanging Psalm, and it’ll be called The Hocus Girl. Here’s a taste…

 

The man uncurled his fist to show the pocket watch. Candlelight reflected and shimmered on the gold.

‘Open it up,’ Simon Westow said.

Inside the cover, an inscription: From Martha to Walter, my loving husband.

‘See?’ the man said. ‘The real thing, that is. Proper gold. Keeps good time and-’

The knife at his throat silenced him.

‘And it was stolen three days ago,’ Simon said. He held the blade steady, stretching the man’s skin without breaking it. ‘Where’s the rest?’ With a gentle touch, he lifted the watch out of the man’s palm and slipped it into his pocket. ‘Well?’

‘Don’t know.’ The man gasped the words. His head was pushed back against the wall, neck exposed. ‘I bought it from Robby Barstow.’

‘When?’ A little more pressure, enough to bring a single drop of warm blood.

‘Last night.’

The man’s eyes were wide, pleading, the whites showing. It was the truth. He was too terrified to lie.

‘Then you’d best tell Robby I’m coming for him.’

‘What-’ His eyes were wide, pleading.

‘-about the watch?’

‘Yes.’ He breathed out the word, trying not to move at all.

‘Consider it a bad investment.’

Outside, he blinked in the light. A coach rumbled past on the Head Row, the driver trying to make good time on his way to Skipton.

Simon would hunt for Barstow later. The watch was the important item; Walter Haigh was desperate to have it returned, a gift from his late wife. He’d promised a fine reward.

That was what a thief-taker did. Find what had been stolen and return it for a fee.

 

2019…maybe it’s going to be a good year for us all.

Thank You and Good Wishes

It’s that time, the year drawing to a close. Celebrations and reflections.

And time for me to thank you, all of you, for reading what I write. You make it worthwhile, the bloggers, reviewers, the people who finish one of my books and hopefully enjoy it. Without that, well, there would be nowhere near as much point in doing it.

It’s been quite a year, with high points and turns into the unexpected. My involvement with The Vote Before The Vote exhibition might have been small, but one of the most important things I’ve done. It celebrated the Victorian women from Leeds who laid the foundation for 1918 and 1928, giving the vote to all women. And as a bonus, having Annabelle Harper as part of it wrote her into the fabric of Leeds history.

A play with live jazz. New Briggate Blues, my chance to celebrate Studio 20. Two sold-out performances, and a success because of the director, Ray Brown, the cast and musicians. Remarkable.

I published three books and i’m immensely proud of them all. But The Tin God will always stand head and shoulders above them in my mind. It’s Annabelle’s book, and it feels like the one I was made to write. Something that does her real justice, and I’m so pleased to have been the conduit for that. Even finished the year with a review of it in an academic journal, the first (and probably the last) time that’s happened.

Tin God Journal review

So thank you, every one of you, and I hope 2019 sees all of us with peace and health.

 

The Holy City: An Annabelle Harper Story

Leeds, Summer 1898

 

No rest for the wicked, Annabelle Harper thought as she picked up the post. A card on top with a view of Masham. Jotted on the back: Staying here tonight. There’s a brewery, it smells like when I worked at Brunswick’s! Beautiful weather, we’ll come home brown as berries. Love, Tom. And underneath, in a careful hand: And Mary.

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She smiled and placed it on the mantlepiece with the other two. One a day, exactly as he’d promised. High summer, 1898, and her husband had taken their daughter on holiday to the Dales. He had a week’s leave, school had finished. But no chance for a Poor Law Guardian to take a little time away.

Three people had needed assistance yesterday, two the day before, five on Monday. That was always the worst day. Wages spent, everything worth even a couple of pennies hauled off to the pawnshop. Some she’d been able to help. Others she’d had to turn away, hurting at the hopelessness on their faces. Things were always bad in Sheepscar. Worse in other parts of Leeds, she knew that. But a year of this work had shown her that not everything was possible. She’d learned to steel her heart; sometimes she had no choice.

But she was the won who’d wanted to run for the position. She’d won the vote, and now she had to do the job. A pile of papers sat on the table needing her attention. Reports from the workhouse, minutes from the last Guardians meeting. And barely a minute to read them. She glanced at the clock, then strode over to the mirror, pinning her hat in place before she wrapped a light shawl around her shoulders.

Downstairs, the bar at the Victoria was quiet. A couple of older men ekeing out the boredom of their days by playing game after game of dominoes and cribbage while they sipped at halves of mild. A quick word with Dan the barman, a pull of the door and she came out into the clatter and din of Roundhay Road. Already warm, the sky hazy, the streets heavy with soot and dust and all the stink of industry.

Annabelle had barely started walking when a man called her name. She turned, seeing Reverend Fletcher hurrying to catch up to her. He looked like a figure of fun, a large man with a red, florid face above the dog collar and a belly that wobbled as he tried to move quickly. But he was a good soul, doing what he could to help the poor in his parish. She couldn’t help but have a soft spot for him.

‘Mrs. Harper. I’m glad I caught you.’ Just ten yards and he was already out of breath, she thought. He lifted his straw hat and panted.

‘Pleased to see you, too, Reverend. If there’s something you need, you’d better walk with me, I’m already late.’ She nodded towards the distance. ‘I’m due at the workhouse in a quarter of an hour.’

‘Of course.’

She kept a brisk pace, nodding at shopkeepers and folk she saw on the way to the junction with Enfield Street. He had to move quickly to keep pace.

‘There’s someone I’d like you to see, if you’d be so good,’ Fletcher said.

‘One of your flock? Is the family having money problems? Out of work?’

He hesitated before answering, just long enough to make her turn her head and stare.

‘No, it’s nothing like that. He’s only been in Leeds for a few weeks now, still has a pound to his name.’

She stopped, hands on her hips.

‘I don’t understand, then. What do you need with a Guardian?’

‘He’s staying at the Vicarage. With his wife and children.’ A shy smile crossed Fletcher’s face. ‘If you could call around later. Just for a minute or two. I’d be very grateful.’

Annabelle narrowed her eyes. ‘You’re being very cagey. What’s it all about?’

Fletched tightened his mouth, then shook his head. ‘I’d rather you made up your own mind. Shall we say this afternoon?’ He raised his hat again, turned and strode away.

Always someone, she thought as the made her way through the back streets and up the hill to the workhouse.

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By the time she walked back out into the air, she was fuming. The same thing as ever: the sheer ignorance of the male Guardians. No clue what women needed when they had their monthlies. Half of them probably didn’t even know such a thing existed; if they ever found out, they’d be terrified.

She breathed deeply, standing until she could feel the pounding in her chest slow down, then crossed the street to Beckett Street Cemetery. The only piece of green around here. A moment or two by Tom Maguire’s headstone, thinking of the man, wondering what he’d make of her now. Then to a bench that nestled in a spot of sunlight.

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A few minutes and she was composed again, all the anger tamped down for another few days. Until the next time she visited.

Annabelle stood, dusted off her gown and started to walk home. A quick stop at a bakery for a tongue sandwich and a fancy to go with her tea later. It was only as she strolled down Rosebud Walk, brown paper bags in hand, that she remembered she’d agreed to go and see Reverend Fletcher’s visitor. Pushed into it, more like.

Well, that was the afternoon going through the pub accounts up the spout.

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St. Cuthbert’s sat in the sun. The hall had been rebuilt after last year’s bomb. She only had to look at it to remember the noise that filled her head that evening, all the smoke, the stink of gunpowder, and the broken body of Mr. Harkness, the caretaker.

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Annabelle straightened her shoulders, trying to put the past to the back of her mind, and brought her hand down on the knocker of the vicarage.

‘Hello, Mrs. Harper, luv,’ the housekeeper said with a warm smile. ‘He said you might be dropping in. Always a pleasure to see you.’

‘He asked me to come and meet your guest.’

‘Yes.’ The woman’s face clouded. ‘Well…’

‘A strange one?’ Annabelle asked.

‘You could say that.’ She frowned as stood aside, wiping her hands on her apron. ‘Come on through, luv. He’s in the back parlour.’

‘What about his wife and children?’

‘Child,’ the woman corrected her. ‘They’re out,’ she said darkly.

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Annabelle blinked in the bright sunlight and started to walk down the street. She stopped, half-turned, then carried on towards home.

Well, she’d certainly never met anyone like that. Even when she was sitting upstairs at the Victoria with a cup of tea, she still didn’t have a clue what to make of him. Who on earth would walk all the way from London because God had told him to bring the light to the people of Leeds? If he’d come alone it would be bad enough, but to drag a wife and two-year-old boy with him…

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His name was Harry Walton. He was small, shifty, not much to him, probably no taller than five feet three, skin and bone from weeks on the tramp. But there was an intensity to his eyes that worried her. In his voice, too. He spoke with the kind of certainty she’d heard before in con men with something to sell. But he didn’t seem to want anything.

‘Leeds is the holy city. The Lord told me that.’ He stared straight at her as her spoke, unblinking behind his spectacles.

‘The holy city?’ Annabelle asked. ‘What’s that supposed to mean? I’ve lived here all my life. Take it from me, there’s nothing holy about it.’

‘The people here will be saved if they rid themselves of evil. God told me. That’s why He sent me here, to reform them.’

Round and round for more than half an hour, until she felt overwhelmed, her head spinning.

‘What about your family?’ she asked finally.

‘They go where I go.’ He spoke the words with absolute finality, as if they’d been ordained. Maybe he believed they had.

Time to see about that, Annabelle thought as she finished the cup of tea and carried it through to the kitchen. See what the woman felt about it all. The pastry sat, barely touched on the plate. Too dry, no flake to the crust. If Mary had been here, she’d have wolfed it down. That girl had an appetite like a gannet.

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This time the reverend answered the door himself. He looked surprised to see her, recovering his manners after a second.

‘Come in, Mrs. Harper. Come in. Forgive me, the housekeeper told me you were here this afternoon.’

‘I was,’ she answered with a soft smile. ‘I’ve come back to see the man’s wife.’

‘Ah,’ Fletcher said. ‘And what did you make of the gentleman?’

‘Honestly?’ she said. ‘Happen he believes everything he says. But holy city and cleansing the place, reforming it? I think he’s got something up his sleeve that we haven’t seen yet. Either that or he’s a bit touched.’

‘Men of God have often been viewed that way.’

‘Is that what you think he is?’ she asked.

Reverent Fletcher spread his hand, palms upwards.

‘I wish there was a way to know. But he’s right that we need to be rid of sin here, isn’t he?’

‘What? Like drinking?’ She had a twinkle in her eye. He knew exactly what she did for money.

He laughed. ‘Wine is there in the Bible, Mrs. Harper. Jesus even changed water into it at a wedding feast.’

‘He’d be welcome at the Victoria to do that any night he wants, although they’d prefer it was beer,’ she said, and suddenly realised she might have gone too far. ‘No offense, Reverend.’

‘None taken. I’ll have the lady attend you here, if that’s fine.’

‘Perfect.’

One minute stretched to two, then five, before the door opened and the woman entered.

Not a woman, Annabelle thought. A girl. She had to be thirty years younger than the man. Probably not a day over seventeen, looking shy and cowed.

‘Come on in and sit yourself down.’

Stick legs under a thin cotton dress. Boots with worn soles and woollen stockings she’d darned too many times. Hands as rough as sandpaper.

‘I’m Mrs. Harper. The Reverend asked me if I’d have a word with you and your husband.’ Not quite the truth, but close enough. ‘What’s your name?’

‘Julia.’

‘That’s a pretty name. I like that. My mother lumbered me with Annabelle. I’ve always thought it sounds like it should be the name for a flower.’

The girl was too timid to respond.

‘How long have you been married?’

‘Two years,’ Julia answered. ‘Just after Samuel was born. He’s my son.’ She had the same rounded London vowels as her husband, so strange and out of place. But there was nothing educated about either of them.

‘The reverend said you had a child. A bonny little lad, I bet.’

‘He is.’ Her face came alive. ‘He takes so much time. And he’s always so hungry.’

Annabelle smiled. ‘It doesn’t get any better. My daughter’s six and she has hollow legs.’ She paused for a second. ‘Do you mind if I ask your age, Julia?’

A small hesitation. ‘I’m nineteen.’

That was a lie, Annabelle thought, but she’d let it pass.

‘How do you like being on the tramp?’

‘I don’t.’ Her mouth turned down at the corners. ‘My feet hurt all the time. This is the best place we’ve been since we left London. But I know we’re going to have to find somewhere else soon.’

‘I came and talked to your husband this afternoon, but you and your lad were out. Taking a look around?’

The girl shook her head. ‘Harry sends us out to beg. He says a woman and child bring in more than a man.’

Well, she though, he might have his eyes set on a holy city, but he kept a thought for bringing in the brass.

‘Do you make much?’

‘No,’ she answered. ‘Most of the time a rozzer will come and move us on. I was arrested once, when we were in Birmingham.’ Her face fell at the memory. ‘Seven days of hard labour and they almost took Samuel away from me.’

‘You must love your husband to do all this.’

‘He says it’s a wife’s duty to obey. A woman has to follow a man’s desires.’ She sounded as if she was repeating words she’d heard far too often.

‘How did you end up marrying him? There’s…’

‘I know. He’s a lot older.’ The deadness came back to her. She looked around, as if someone else might have come in and be hiding in the corner, listening. ‘Harry used to play cards with my pa. They worked together.’ Annabelle felt the first prickle up her spine, the sense that she knew exactly what was coming. ‘My pa had a losing night, so he told Harry he could have a poke of me and they’d all be square.’

‘How old were you?’

‘Fourteen.’

‘What about your mam? Where was she?’

‘She left when I was ten,’ Julia said. Her shoulders slumped. ‘Everything was good when she was still there.’

‘You and Harry…’ Annabelle said.

‘He got me…’ She blushed and lowered her gaze. ‘My pa told him he had to marry me to make it right. And pay a him a…something, I don’t remember what.’

‘A dowry?’

‘Yes. I think that was it.’

Annabelle sat quietly, thinking, then asked: ‘Tell me something, luv. Are you happy with Harry?’

‘Happy?’ Julia said, as if she’d never heard the word before, never considered the idea.

‘Do you love him?’

She shook her head, moving it quickly from side to side like a little girl.

‘Not like I loved my mother.’ She leaned forward and her voice softened to a whisper. ‘He hurts me when we…you know… and he hits me if I do something he doesn’t like.’

So much for any kind of holy man. Had his feet near the devil, like so many of them.

‘What do you want? For you and little Samuel?’

‘Want?’ She frowned, confused. ‘I don’t know. No one’s ever asked me that before.’ A moment passed, then she started to answer, voice like a child wishing for the Christmas presents that would never arrive: ‘A place we didn’t have to leave. Enough to eat. Not to ache from walking all the time. Things to make Sammy smile.’

Hardly reaching for the moon. Things any mother wanted. Yet Annabelle knew half the women she saw every week didn’t have them. They turned up to see her, clutching their sorrows close, hiding the bruises they claimed came from walking into doors and filled with the same of asking for something.

Annabelle knew how she must appear to the girl. A grand lady in an elaborate frock and big hat. A Poor Law Guardian with all sorts of power. But Julia was a stranger here, lost in an unfamiliar place. A stranger in her own life, really. She’d never had a chance to grow up the way a child should.

‘Have you ever worked before? What can do you?’

‘I was in a match factory for two years. But it was making me ill so I had to stop. I kept being sick. My pa belted me for that. He didn’t see the use of me if I couldn’t bring in money.’

‘Anything else?’

She blushed hard and stared down at her feet again.

‘Harry had me on the game for a little while. I had to stop when I started to…’ She curved a hand around her belly.

‘I want to ask you something.’

‘You’ve already been asking me things, missus.’

‘I know, but this is…well,’ Annabelle smiled and softened her voice. ‘It won’t go past these four walls, word of honour. If you had your druthers, would you stay with him?’

The girl looked up, pain showing in her eyes.

‘What else could I do? There isn’t anywhere me and Sammy could go.’

‘If someone could find a place. Somewhere safe. Would you stay with him then?’

Julia didn’t hesitate. ‘No. But I can’t go back to my pa. I won’t do that.’

Of course not; he’d beat her and sell her all over again.

‘I know. Look, I can’t make you any promises, but let me see what I can do.’ She took out her purse and counted out three pennies. ‘You buy your little lad something with that. And don’t let your husband know you have it.’

‘I won’t, missus. I swear.’ She clutched the coins in her fist as if they were the most precious gift she’d ever been given. ‘Thank you.’

‘I’ll come and see you tomorrow.’

annabellefrom book_3

Reverend Fletcher closed the front door behind them, staring across at the church.

‘All this talk about the holy city,’ Annabelle began. ‘It’s a con. He’s no more got religion that I have.’

‘But…he sounds so sincere.’

‘That’s his game. Do you want to know the truth. He won that lass from her father in a card game, he’s had her out on the streets.’ She saw him wince. ‘He’s happy to have her and their lad out begging to support him. Does that sound like a man of God to you?’

‘No,’ Fletcher admitted. ‘I suppose I’m gullible. He must have seen it. But what do you want me to do? Throw them all out on the streets?’

‘Give me a day,’ she said. ‘I’ll see what I can come up with for her and the boy. But I’ll tell you this – I won’t lift a finger to help him. If I were you, once they’re gone, I’d toss him out on his ear. Let him find a proper job.’ Her face turned grim. ‘If he doesn’t, I’ll have one of Tom’s men run him in for vagrancy.’

annabellefrom book_3

An evening of bustling around, feeling like she was shuttling from pillar to post and back again. The books would have to wait for another day.

She didn’t sleep well, thrashing around and throwing the covers off in the summer heat. The bed felt too big without Tom here, and the morning was empty of all the bustle of her husband and Mary. Cooking breakfast just for herself seemed like a chore. It left her lonely. She rushed through it, washed the pots and was out of the door by seven. Another postcard from Middleham waiting on the mat. Home on Sunday written on the back. Not long now, she though as she put it in her reticule.

postcard middleham

The problem was finding a place for the girl and her son to live, and someone to look after the boy. There were jobs out there, maybe nothing much, but enough to keep body and soul together.

By dinnertime she’d talked herself hoarse, wheedled, pulled in favours from people she’d helped in the past. Finally she secured the offer of a room for Julia Walton and her son. Just for a month, but the woman in the house was willing to look after Samuel. That would give her the breathing space to find a job and come up with somewhere else to live.

Annabelle paid the month’s lodging. It seemed only fair. She was the one encouraging the girl to leave her husband; this might be enough to help her take that step. All too often she’d seen the way women with no money were too scared to go. God knew she couldn’t help them all, but even one…it was a start. Didn’t matter that she wasn’t from round here. Perhaps it was more important because she was a stranger in Leeds, with no family or friends to turn to. Being alone brought desperation.

One final stop. The tram down to Millgarth police station, a few words and a laugh with Sergeant Tollman on the desk, then through to see Inspector Ash. It seemed strange to see someone else behind her husband’s desk, as if he might never return, instead of due back in a couple of days. He rose, looking confused, as she entered the office.

millgarth

‘Has something happened to the Superintendent?’

She ginned. ‘Don’t worry. You’re not likely to be stuck there past this week. I’ve come to ask a favour. Can you check the past of someone I met? He’s come from London…’

Home. She treated herself to a cup of tea and settled in the chair, unbuttoning her boots and wiggling her feet. Absolute. Just having the chance to sit, a few minutes to herself, seemed like luxury after all the rushing about.

Then the knock on the door, and a young bobby who’d hardly started to shave was standing there.

‘Inspector Ash asked me to bring you this and wait for a reply.’

‘Come in,’ Annabelle told him. ‘There’s still some left in the pot.’ He waited, shifting nervously from foot to foot, not daring to pour himself a cup of tea. ‘Don’t worry, I won’t tell anyone.’

She unfolded the note. Ash’s copperplate was a joy to read, so much better than her own scrawl.

Harry Walton has a record as long as your arm. Currently wanted in London for passing altered cheques. They asked if we could arrest him. Do you know where he is?

No wonder he’d wanted to vanish. She sat at the table, a piece of paper in front of her, and dipped her nib in the inkwell.

St. Cuthbert’s. Best if it’s first thing tomorrow morning.  He’d find out just how holy this city could be.

‘Give that to him with my thanks, will you?’

‘Yes, missus,’ the lad said, blushing as he corrected himself. ‘Mrs. Harper.’

annabellefrom book_3

The same room, the woman in the same thin, faded dress. The only difference was the boy sitting on the floor, spinning the reverend’s globe again and again, mesmerised by it.

‘That’s it,’ Annabelle said as she finished. ‘It’s yours if you want it.’

‘I don’t know what to say,’ Julia told her.

‘You don’t have to say a word. Just put your things in a bag and come with me.’

‘Why, though?’ She stared at Annabelle with suspicion. ‘Why me? Us.’

‘Because you need it. I know, there are plenty who do. All I did was talk to a few folk. It wasn’t much.’ She stood and held out her hand. ‘Ready?’

‘What about Harry?’

‘Believe me, you won’t need to worry about him.’

As the vicarage door closed behind them, the light was starting to drift from afternoon into evening.

‘I’m scared,’ Julia said. Samuel marched beside her, clutching tight to her fingers. ‘I’ve never had to look after myself before.’

‘Seems to me you’ve been doing that for most of your life,’ Annabelle told her. She looked down at the boy and stuck out her tongue until he giggled. ‘This time will be better.’

 

I hope you liked it. This story takes place the summer after the vents in The Tin God, and a year before The Leaden Heart (out next March).

Remember, books make great gifts, and I’ve had three out this year – The Tin God, The Dead on Leave, and The Hanging Psalm.

 

 

 

Thank You

It’s almost four weeks since The Hanging Psalm was published, three since the launch event. The conventional wisdom is that there’s a two-week window after publication in which to make a splash about a book, something that can be especially important with a new series.

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I’m perhaps luckier than most; with a gap between UK and US publications, I have two of those windows. That said, one isn’t any easier than the other. So many books appear these days, from traditional publishers and independents, that it’s hard to be heard above the noise.

Reviews help. They help beyond compare, especially in these days when we’re all online. But still, the most important is word of mouth. I don’t expect everyone to like my books. Historical crime is niche enough. Leeds historical crime is an even smaller niche. and I certainly don’t expect everyone to like all my books (although I can live in hope).

But, if you do like one, please tell your friends. Ask your local library to stock a copy – most library services will order the book if they don’t already have it. Like every other author, I love people taking my books out of the library. They’re such a vital community resource and they need to be used as much as possible. Read all you want and it costs you nothing. What could be better than that?

There’s also a bonus for writers. Not only do we receive the royalty when the service buys a copy, we receive a small amount whenever someone borrows one of our books, whether a physical or ebook copy. Win-win, truly.

Yes, I want to sell books. I want people to read what I write. That’s why it’s out there. But I depend on people like you. Without you, it all falls apart very quickly.

So I thank you for all you’ve done, and hope I can keep you entertained and make you think for quite a few years yet.

One final thing. If you’re in the UK and haven’t read The Tin God yet (I’m immensely proud of that book, and of Annabelle Harper in it), the hardback is currently £10.07 on Amazon (sorry, US readers). Not my favourite retailer, but if you’re looking to give the feminist in your life a Christmas gift, well…this would definitely fit the ball. Maybe you can see the printing sell out – that would be a great present for me.

But whatever happens, thank you all.

tingodsmall1

How Do I Rate My Books?

As you hopefully know, I have a new book coming out next week (it called The Hanging Psalm, in case you weren’t aware). Take a big breath time, it’s the start of a new series, and my publisher has just accepted the follow-up, which will be appearing in a year’s time (I know, it’s hard to think that far in advance).

When something like that happens, though, I tend to look at those titles on my bookshelf with my name on them and have a think about them. It’s very rare for me to go back and re-read any. Certainly not for pleasure; I might have forgotten the details of the plots, but not the months of work that went into each one. If you’re a writer, by the time you’ve written something, revised it, gone through the publisher’s edits and then the proofs, you’re pretty much sick of seeing it.

But I have a surprising number of books out there. Quite often it astonishes me, makes me wonder just how that happened. And it makes me wonder what I think of them in retrospect. So, it’s time for an honest assessment.

 

I started out with the Richard Nottingham books. The Broken Token took several years to see the light of day. It was finished in 2006 and finally appeared four years later. In my memory, it’s curiously poetic, as is most of the series, a style that seemed to fit the character and the times – Leeds in the 1730s, for those who don’t know. Cold Cruel Winter was named one of the Mysteries of the Year by Library Journal, something that floored me. It’s a book that came from a single fact – the trial transcripts of executed men were sometimes bound in their skin. What crime writer wouldn’t relish doing something with that? And it was where I began to explore the grey area between right and wrong. The third book, The Constant Lovers, has its points, but taking Richard out of Leeds, even if it’s just into the surrounding villages, was probably a misstep. It diffused the focus. Leeds, tight and dense, is his milieu, and he’s been back in there ever since. The standout in the series for me, though, will always be At the Dying of the Year. It was the hardest to write, the one that cut deepest into me and left me depressed for a while afterwards. But the emotions are very raw and real on every page. Even thinking about it now, I can still feel them. Returning to Richard after a few years with Free from All Danger felt like a homecoming of sorts. I’d originally intended eight books in the series. That was number seven, but it left him at the end with some share of happiness, and God knows he deserves that.

I do have a soft spot for the pair of novels featuring Lottie Armstrong (Modern Crimes and The Year of the Gun). She’s so vibrant and alive, both as a young woman and in her forties. It’s impossible not to like her. The problem is that I painted myself into a corner; it’s impossible to ever bring her back, although she seems quite happy to leave things as they are. In different ways, I’m hugely proud of them both, and particularly of Lottie. I still feel she might pop in for a cup of tea and a natter.

The Dan Markham books (Dark Briggate Blues and The New Eastgate Swing) book came after re-reading Chandler once again and wondering what a private detective novel set in the North of England would be like. I found my answers. The original is the better book, harder and more real, and it spawned a play, to my astonishment. The second certainly isn’t bad, but it doesn’t quite catch the pizazz of the first.

Then there are the anomalies – a three-book series set in medieval Chesterfield. The first came as a literal flash on inspiration, the others were harder work, and the difference shows. I lived down by there for a few years, I like the town itself and I think that shows. There’s also a pair of books set in Seattle in the 1980s and ‘90s that hardly anyone knows about – they’re only available on ebook and audiobook. But I spent twenty years in that city, a big chunk of my life, and I loved it. I was involved in music as a journalist (still am, to a small degree), and the novels, still crime, are part of that passion. You know what? I still really believe in them. They’re pretty accurate snapshots of a time and place, and the scenes that developed in the town – the way music itself was a village in a booming city.

The Dead on Leave, with Leeds in the 1930s of the Depression, was a book born out of anger at the politics around and how they seem to be a rehash of that period. It’s a one-off, it has to be, but I do like it a lot – more time might change my view, but honestly, I hope not.

And that brings me to Tom and Annabelle Harper. I’m not quite sure why, but I feel that they’re maybe my biggest achievement to date. That’s a surprise to me, given that I swore I’d never write a book set in Victorian times. Yet, in some ways they feel like the most satisfying. More complex, yet even more character-driven. And I think someone like Annabelle is the biggest gift anyone can be given. She’s not the focus of the novels, but she walks right off the page, into life. I didn’t create here – she was there, waiting for me. And what feel like the best books in the series are the ones that involve her more, in an organic way: Skin Like Silver and The Tin God. Not every book works as well as I’d hoped; in Two Bronze Pennies I don’t think I achieved what I set out to do. My ambition was greater than my skill. But maybe I’m getting there. The next book in the series, The Leaden Heart, takes place in 1899, the close of a century, and I feel I’m starting to do all my characters real justice. I’m currently working on one set in 1908, so the 20th century is already here, and I still want to take them to the end of World War I, a natural closing point for the series. I feel that I’m creating not only good crime novels, and I strive to make each one quite different, but also a portrait of a family in changing times – and also a more complete picture of Leeds.

And that’s always been the subtext, although it took me a long time to realise it. Leeds is the constant, the character always in the background, changing its shape and its character a little in each era. And I’m trying to portray that, to take the readers there, on its streets, with their smells and noises. I’m hoping to have a novel set in every decade from 1890s-1950s (maybe even the ‘60s, if inspiration arrives), to show how the place changed.

In a way, the nearest I’ve come to running after the character that is Leeds and its essence is a collection of short stories, Leeds, the Biography, even if I didn’t realise it at the time. It’s based on anecdotes, snippets of history, and folk tales, and runs from 360 CE to 1963. For the most part, they’re light tales. But one has resonance – Little Alice Musgrove. That still stands as a good story (you can probably find it online)

But with The Hanging Psalm, out next week, I’m going back to an unexplored place, Leeds in the 1820s, when the Industrial Revolution was still quite new. The Regency, although there’s very little gentility to it; better to describe it as Regency Noir. The book is still too fresh for me to asses it fairly. But I do know how electric it felt to write. So I’m hopeful it will stand the test of time in my mind…and in the meantime, I hope you’ll buy it (definitely buy it if you can!) or borrow it from the library and enjoy it.

Hanging Psalm revised