The Pop Star – A Dan Markham Story

As I’ve said before, spring 2020 marks 10 years of me publishing books set in Leeds.

10 years

To me, that’s worth celebrating. I’d never expected it, or to have created so many characters. To celebrate the anniversary, and the people, between now and next April I’ll be publishing a short story each month featuring one of my Leeds characters.

I’m beginning with Dan Markham of Dark Briggate Blues and The New Eastgate Swing, the most recent creation, and bringing him (just) into the 1960s. From there I’ll go back in time, finishing with a new Richard Nottingham story next April.

Dan, in case you don’t know, loves his jazz. you can get an idea of his tastes in this playlist. This story puts him in a very different world.

It’s relatively long, but I hope you like meeting up with Dan again. If you don’t already know him, try Dark Briggate Blues as a starting point. It’s available in paperback, ebook, and also audiobook. Go here.

And now, welcome to Leeds as the world tips into the 1960s…

Dan Markham listened closely to the voice on the other end of the phone. His name was Harry Lewis, he’d said, a man with brisk London accent, a wheeler and dealer, skirting around the subject as if whatever he wanted might not be legal. The type who saw life as a deal to be won.

‘In your line, you know what things are like up there, don’t you?’ he said.

‘Depends what you mean by things.’ He cradled the receiver between his ear and shoulder, took a Craven A from the packet and lit it. From his desk across the office, Stephen Baker gave him an enquiring look. Markham shook his head and raised an eyebrow.

‘Bad people an’ that.’

‘I suppose I know some of them,’ he answered. Christ, the last thing he wanted on a Monday morning was a Cockney idiot. ‘Why don’t you tell me the problem. That might be easier.’

‘We manage singers. You know Adam Faith, Billy Fury, people like that? Stars.’

‘I’ve seen the names,’ Markham replied. He’d heard them, too, fragments of music on the radio that left him cold. ‘What about them?’

‘We have an artist on a tour. A young lad, first record just out, going to be big. He’s playing the Odeon up there this Friday. We’ve had a threat that something might happen to him.’

‘Talk to the police,’ Markham told him. ‘That’s their job.’ He started to replace the phone, but a thin voice stopped him.

‘I’ve tried them. Your rozzers up there weren’t interested.’

That seemed odd, unless they knew something he didn’t.

‘Why don’t you tell me about it?’ It might be a chance to make some money and do something a little different.

 

‘He must have cash to burn,’ Baker said when the call ended. ‘You were on the phone for fifteen minutes. That’ll cost him a fortune.’

‘It’ll probably all come off his taxes,’ Markham said. ‘But we’ve got two days work out of it. Usual rates.’

‘Doing what?’

‘Bodyguarding?’

‘Who? If it’s Diana Dors or Jayne Mansfield, I’m interested.’

Stephen Baker was a big man, a retired detective sergeant who’d long since run to fat. But appearances deceived. Go past the cheap mackintosh and bland face and the man was clever. He listened and put things together. Daring, too; he’d shown that. But he’d been a commando back in the war. And now he was the junior partner in an enquiry agency working out of the third floor of an office building on Albion Place.

‘His name’s Johnny Archer.’

‘Never heard of him.’

‘Neither have I. Evidently his first single’s just come out and he’s bottom of the bill on this package tour that’s playing here on Friday night.’

‘Doesn’t sound like much of a job,’ Baker said. ‘Not likely to be mobbed, is he?’

‘According to this man Lewis, there have been a couple of threats.’

‘What kind?’

‘Nothing too specific. He couldn’t give me any examples. More rumours than anything. That’s why the police won’t do anything.’

Baker shrugged. ‘Can’t blame them. They need something to go on.’

‘It’s money for us. The tour people arrive Thursday afternoon and leave Saturday morning. We need to make sure Archer stays safe.’

He snorted. ‘Is that his real name – Johnny Archer?’

‘I didn’t ask.’ Markham lit another cigarette. The man could be called Joe Bloggs for all it mattered.

 

The photograph and press packet arrived on Tuesday morning. Archer was a bland young man, faintly good-looking. There was a hint of something wicked in his smile, but he was too young to be any kind of threat; he barely looked eighteen. A cheap Italian-cut suit with the thin lapels, a narrow tie and Brylcreemed hair in a big, shiny quiff.

Believe the mimeographed words, and he was the biggest thing since Elvis Presley. Sex on legs. Lewis had included the single in its paper sleeve. At home, Markham put it on the hi-fi.

‘What the hell is that?’ Carla asked from the kitchen. ‘It’s awful.’

She was right. A confection of nothing, string and guitars and a hiccoughing voice that could barely stay in tune.

‘The next big thing,’ he said. She laughed.

Johnny Archer was useless as a singer. Maybe he was a nice kid.

He put on some Coltrane to wash away the taste. Giant Steps, only out for a few months, with that lovely rush of tenor sax coming through the speakers. Real music.

He didn’t know Archer, but Markham felt sorry for the boy. Another hopeful, one of dozens – maybe hundreds – with a single out and a heart full of dreams. So few made it, though. Cliff Richard, Marty Wilde, one or two others. The rest would have a piece of plastic and the memory of a few shows onstage, careers over before anyone realized they’d begun.

Well, all he had to do was keep him safe in Leeds. From what, though?

 

It was a crisp autumn Thursday. As he left home, Markham noticed the way the leaves were turning and falling, covering the pavement. His breath clouded the air, and he needed to use the choke for his car to start. He’d bought one of the new Ford Anglias, seduced by the backwards-sloping rear windows and the low fins at the back. The best part of six hundred pounds, but he’d had a good year and it was worth every penny. It had style. The car was distinctive; it looked American.

In town, he parked outside the office, taking the stairs past the clatter of typewriters in the secretarial office below. Nothing more than a couple of bills in the post. He tossed them on to the desk. Later would be soon enough.

He was pacing around, on his third cigarette by the time Barker arrived, huffing and puffing his way up the steps.

‘You might as well turn yourself around. We’re going out again.’

The man sighed. ‘Couldn’t you have waited downstairs so I didn’t waste all that effort?’

Markham clapped him on the shoulders. ‘The exercise will do you good.’

The Golden Lion hotel sat on Swinegate, right on the corner with Briggate, no more than a short, brisk stroll from Albion Place. It must have been a glorious building once, but now it was run down, feeling like a small step up from a boarding house. The carpet was threadbare, the wood on the desk chipped and gouged. Still, it had rooms for all the groups on this tour. The clerk was an older, weary man with heavy jowls and a shadow of stubble heavy enough to look as though he hadn’t shaved. A cheap bri-nylon shirt with a grubby collar and a shiny C&A tie.

Markham introduced himself and handed over the letter Lewis had sent. The clerk read it and stared. Archer wasn’t expected until early evening, he said, along with a four-piece group. They had two rooms booked in the attic, staying until Saturday morning.

‘Mind if we go and take a look?’

Without looking, the man reached behind his body and took a pair of keys from their hooks.

‘Help yourself. Nowt to see, mind. The lasses will make up the beds later.’

Four storeys. Baker took a rest after the first two. Markham glanced at the surroundings. The wallpaper was decades old, peeling and torn. He took the final flight and unlocked one of the wooden doors. Light came in through a dormer window. Up here had probably once been home to the staff. Now it was crammed with three single beds, a chest of drawers and an old wooden wardrobe. No sink, no toilet, no bathroom.

He opened the neighbouring room. Exactly the same.

‘All the glamour, eh?’ Baker shook his head. ‘I thought pop stars had money.’

‘The people who manage them do.’

‘Always the bloody way.’

They began to search. It took no more than five minutes for both rooms. The beds were stripped, thin mattresses folded over, and there was nowhere to hide anything.

‘Waste of time,’ Baker complained as they left the building. As they turned the corner on to Briggate, he added quietly: ‘Maybe not completely. Did you see chummy standing around? Over by Walker’s old furniture factory.’

Markham nodded. ‘No idea who he is, though.’

‘I do. Billy Carter. He used to do some work for the Jenkins mob. Spotting, a bit of driving, things like that. Can’t imagine why he’d be watching the hotel.’

 

‘I wasn’t,’ Carter insisted. They found him just after noon in the Adelphi, on the far side of Leeds Bridge. Baker leaned over the man, hands on the table, while Markham stood back and watched. ‘Why would I watch the Golden Lion?’

‘I saw you with my own eyes,’ Baker said. He paused, then added with a hint of menace: ‘Or are you calling me a liar?’

‘No, course not. I was just waiting for someone, that’s all.’

He might as well have held up a sign with Lie written on it.

‘Who?’

‘She. It’s a woman. She’s married. You know.’

‘That’s the thing, Billy,’ Baker said. ‘I don’t. Why don’t you give me her name and I can ask her myself. Discreet, that’s me. My lips will be sealed.’

But no matter how Baker browbeat him, Carter wouldn’t give up a single thing more.

‘Something has him scared,’ Markham said was they walked back to the office.

‘Someone, more like. And him keeping schtum like that, it worries me.’

 

Markham was sitting in a chair at the hotel when a group of young men walked in a little after six. Four of them were quiet, serious, stretching as they moved. The fifth looked around eagerly, eyes alive, smiling to show a good young set of teeth. He looked like someone who believed he was about to inherit the world. A close-fitting Italian suit, knitted tie and pale blue shirt with a tab collar, hands pushed into the pocket of his overcoat.

One of the young men was talking to the desk clerk, handing out room keys and giving instructions.

‘I’m Dan Markham.’

The man looked at him uncomprehendingly. ‘Who?’

‘Bodyguard for Johnny Archer?’

‘Bodyguard?’ He gave a short laugh. ‘Someone’s been pulling your leg, mate. We’re the group, he’s the singer, and he’s been going down like a lead balloon, although he can’t see it. The only person he needs guarding from his himself. Now, we have to get our gear in. Not leaving it out there to be nicked.’ He disappeared, the other musicians behind him.

‘Archer?’

The young man turned and gave a camera-ready grin.

‘Johnny Archer.’ A firm voice, no shade of hesitation. ‘Are you a fan?’

‘I’m your bodyguard. Harry Lewis hired me.’

The first shade of doubt across the young man’s face, and then it cleared.

‘He said he’d have someone to look after things up here. But he didn’t say nothing about no bodyguard, though.’

‘You’ll be all right with me.’ He was beginning to feel he’d been had, that there was something going on that he didn’t understand. ‘I’ll take care of things.’

‘You can tell me where there’s a Wimpy in town. I just want something to eat and an early night. I been packed in that car all day. Come up from Bristol.’

‘There’s a Wimpy just round the corner, but they’ll be closing soon.’

‘Right,’ Archer said. ‘You can come with me. Got any money? I ain’t been paid yet.’

‘Got two personals tomorrow morning, some record shop and Woolie’s,’ Archer explained as he ate. ‘Matinee show in the afternoon and another in the evening. The birds are lapping it up.’

He looked around, as if a group of girls might be watching him. He was bland, Markham decided, a nothing. Someone had told him a few times that he was handsome and had talent, and he believed it.

‘How did Harry discover you?’

‘Walking down Oxford Street.’ He hesitated for a second. ‘You know where Oxford Street is? In London?’

‘I do. My wife’s an artist. She exhibits in galleries down there. We go to London regularly.’

The words flew over Archer’s head. He simply nodded.

‘I was there looking at the clothes and he came up and said I had some quality. Gave me a business card and said if I wanted to ring him, I might end up on the box.’

‘Have you? Been on television, I mean,’ Markham said.

‘Not yet,’ Archer replied, full of confidence. ‘But I will. The record’s doing good and Harry’s lining up a spot on another package tour. And he says I’ll be in the papers very soon.’

They walked back to the Golden Lion. Outside the door someone called out ‘Smile!’

Archer did what he was told as Markham tried to shield him. The photographer gave a thumbs-up and walked away.

‘That’ll be happening all the time soon,’ Archer said. ‘You going to be here in the morning?’

‘Half-past nine at the desk,’ Markham told him.

 

‘What do you reckon?’ Baker asked. He’d watched the whole scene.

Markham lit a cigarette. ‘Thank Christ we’re getting paid.’

 

Friday morning and Markham was working his way through the post before he had to go down to the Golden Lion. He’d started with a cup of frothy coffee from the Flamenco on Cross Belgrave Street, the machine hissing as spluttering as Fowzee worked it with his wide grin. Something to set him up for a long day and a longer night ahead.

Stephen Baker glanced through the Daily Sketch when he swore.

‘Take a look at that.’

It was the picture the photographer had taken the evening before. Archer, smiling, Markham, half in shadow, a protective arm in from of the young man’s chest. Threats Against Pop Star’s Life, the headline screamed. Bodyguard hired for appearance in Leeds.

He picked up the telephone and dialled Lewis’s office in London.

‘He’s out for the day,’ a secretary said. ‘Do you want him to ring you later?’

‘Yes,’ Markham said. ‘I’d like that a lot.’

‘We’re being used,’ Baker said. ‘There’s no threat. It’s all for publicity. Sell a few records and put some bums on seats at the show.’

‘Now it’s out there, someone might think it’s a good idea to take a pot shot at him. I’ll keep my eye on him, I’ve got nothing else today.’

Baker shook his head. ‘Waste of time.’

‘Money, remember?’

Baker snorted and turned to the football pages.

 

Archer looked sleek, dressed in his Italian suit with the tight trousers again, fresh shirt and bright tie. He was full of talk as they walked up to Vallance’s on Albion Street. Markham kept glancing around, assessing faces for any threat. Everyone dressed in dun and grey and olive, no splash of colour to be seen. They might as well be living in black-and-white.

‘After I’ve had a few hits and people know who I am, I was thinking a film, you know, like Cliff or Tommy. And move into showbusiness. That’s where the money is and you can keep going. Have a career.’ He spoke with confidence, as if he’d already plotted out every move for the next ten years.

Poor kid. In three months he’d probably be scuffling round for a job and wondering if all this had been a dream.

The record department downstairs at Vallance’s was Saturday morning busy with plenty of teenagers wanting the latest pop hits. They were crammed together in the booths to listen. Two girls approached Archer for an autograph and he seemed to come to life, eager, friendly, and with some kind of presence.

But for his hour there, no more than a trickle came to see him. Mostly girls, plus a pair of boys who seemed astonished that someone like them could have made a record.

His single played every ten minutes. A few seconds after it ended, Markham couldn’t even recall the tune. Disposable music for the consumer society.

No threats, though. Not even a sign of danger. Across the Headrow and down Briggate to Woolworth’s. Archer was talking nineteen to the dozen as he stepped out into the road.

Markham glanced to the right and saw a white Commer van barrelling towards them. He grabbed Archer by the collar and dragged him back on to the pavement as the car roared by.

For once, the boy had nothing to say.

Markham had tried to read the number plate. All he’d caught were two of the letters. No bloody help at all. Was it deliberate? Or a driver not paying attention. He wouldn’t put money on it either way.

Archer was shaken. His face was pale and his lips were bloodless.

‘Come on,’ Markham told him, ‘we’ll get a cup of tea in you. Hot, plenty of sugar.’

Like an infant, Archer followed him into a café.

‘That…’

‘Might have been an accident,’ Markham said. Better to let him think that. And accidents did happen.

‘Do you believe that?’

‘Who’d want to hurt you?’

Archer shook his head. ‘I don’t know.’

‘Nor do I.’ Markham smiled. ‘My professional opinion-’ he said the words slowly to give them weight ‘-is that you were almost the victim of an accident, Nothing more than that. OK?’

The young man pushed his lips together then gave a small nod. Like a little boy, he’d accept whatever he was told on this. Markham just wished he could be certain he’d given him the truth.

‘Drink up and we’ll go to this other signing.’

A few more fans than Vallance’s, but Archer wasn’t mobbed. Not even close. Even the story in the paper hadn’t helped much. As soon as the time was done, Markham escorted him up Briggate to the Odeon. No dangerous vehicles. No menacing men. Soon Archer was in the dressing room with his backing group. The musicians all looked bored. This was just the way they earned their crust, nothing more. They didn’t care about the music they played; it didn’t belong to them.

‘Make sure he doesn’t wander off,’ Markham said to the leader.

The man glanced at Archer. ‘He doesn’t look happy. Did somebody tell him he has a pimple?’

‘Someone nearly ran him over.’

That found the young man’s attention. ‘What? Deliberately?’

‘I don’t think so, but…look after him.’

‘Yeah, OK.’

 

The phone rang and rang before Baker answered and Markham pushed the button to let the coins drop. In a few short sentences he explained what had happened.

‘You didn’t get the number plate?’

‘No.’ He was still furious with himself for that.

‘A white van doesn’t narrow it down,’ Baker said.

‘I know that. I was thinking. Your friend Billy Carter who was watching the Golden Lion last night. Might be worth having another word with him.’

‘I will. But I’m not coming up to tell you about it. No reason for me to go near that noise they call music.’

‘You’re just old.’

 

It wasn’t just Baker, Markham thought. He was old, too. Thirty-one, and the kids in the crowd were only ten or fifteen years younger than him, but God Almighty, they made him feel ancient. He’d come of age during the war and its aftermath. During National Service in Germany he’d seen all the destruction of the bombs.

But this lot has only known peace. Conscription had just ended, so they’d never even need to put on a uniform. There were plenty of good jobs; they had money in their pockets. Rationing was a memory. They life was completely different to the one he’d known. Different music, too. He’d been introduced to jazz and fallen in love with it. Not this pop that had no substance. Yeah, he was old.

He stood at the back of the dress circle and watched as Archer performed his two songs. The audience was still arriving, no more than a handful paying attention to the music.

The lad tried, at least. He reached out from the edge of the stage. One girl dashed forward to touch his hand, then hurried back to her friends, giggling.

No sense of danger in the auditorium. Not much of anything, beyond anticipation for the acts still to come. The musicians were competent, pushing everything along, then carrying off their gear as soon as they’d finished. Professionals.

Standing outside, he smoked a cigarette as the thump of bass and drums leaked out from the building. Studio 20 was only a few yards further along New Briggate. There would be better music there tonight, but he doubted he’d have the chance to go. Someone needed to keep an eye on Archer until he left in the morning.

He’d taken the job, he was going to do it properly. Just in case the speeding van hadn’t been an accident…

‘You’re miles away. An army could have marched by and you’d never have noticed.’

Baker was dressed in his usual mackintosh and trilby, a pipe in the corner of his mouth and a satisfied smile on his face.

‘Go on, then, you look pleased with yourself. What have you found?’

‘Carter was in the General Elliot having a pint or four. I bought him another and it made him quite expansive. It seems your Harry Lewis was in touch with Jenkins, his boss. A few quid to watch Archer, enough to make having a bodyguard seem worthwhile.’

‘Not to hurt?’

‘Not in a million years. Not even a frightener. Strictly for publicity. Your incident with the van was an accident, nothing more.’

Markham felt a sense of relief. Deep down he’d probably known it was true. But having it confirmed made it feel real.

‘Why didn’t he say something when you questioned him last night?’

‘That was the deal they had.’ He grimaced as he cocked an ear toward the sound in the Odeon. ‘You staying for more of this racket?’

‘It’s what we agreed.’

Baker shook his head. ‘Sooner you than me. Still, you like that jazz muck; this can’t be any worse.’

 

The second house seemed to draw a larger audience that the first. A few years older, too, mostly fifteen and up, all the way to twenty by the look of them. He saw the disgusted glances by the girls as they passed him, as if he was a dirty old man in a grubby mac.

The music wasn’t any better or any worse. Whatever quality meant stardom, Archer didn’t possess it. Most of the crowd talked through his two numbers.

No incidents, of course. Once he’d finished and the group had dragged their equipment off the stage, Markham made him way back to the dressing room. None of them looked especially pleased.

‘It went well,’ Markham said.

‘It was bloody rubbish,’ the leader said. He finished wiping the strings and fretboard of his guitar with a rag and placed it with loving care the instrument in its case. ‘We couldn’t even hear ourselves.’

‘Maybe tomorrow will be better. Where are you then?’

‘Maybe,’ the man answered in a voice full of doubt. ‘We’re in Newcastle. Always tough there.’

 

 

A cramped night, parked near the hotel on Kirkgate, sitting in the Anglia. Too chilly to fall asleep. Too dark to read. Nothing to do but drink instant coffee from a flask and smoke. By morning his back felt as if someone had been chipping at it with an icepick.

He watched as Archer and the group packed their van and drove off. His job was done. The only thing left was to send the invoice and wait for the cheque.

 

The middle of the afternoon and he was jarred awake by the telephone. For a short moment, Markham wondered where he was, what day it was. He sat up straight in the office chair, yawning and blinking.

‘Have you listened to the wireless?’ Baker asked.

‘No. Why?’

‘There’s a transistor in my desk drawer.’ He hung up.

Markham searched, dragging it out from under a pile of papers and turning it on. Finally he found a voice reading out the headlines.

‘Police are investigating an accident on the Great North road this morning.’ He felt a prickle up his spine. ‘A young man was killed when the vehicle in which he was a passenger veered off the road going south in Lincolnshire. The name of the deceased is being withheld until next-of-kin can be informed, but it’s understood that he’s an entertainer, a singer of popular music. All the others in the van were released after being treated for minor injuries.’

Christ. Accident?

 

Three days later, Markham picked up the post. Strange. The invoice he’d sent for the Archer job, returned. Not known at this address. He checked from his notes. No, it was correct. When he dialled the London number, all he heard was a voice: ‘I’m sorry, that is no longer obtainable.’

Prolific? Me? Honestly, No…

People keep telling me I’m a very prolific writer. It happened again just over a week ago. I’ve published a number of books over the last few years, definitely more than one a year.

But that’s not prolific. When I hear that word, I think about the way groups worked in the 1960s. They worked hard, and some of them made huge music strides and produced glorious work under pressure.

Let’s look at the Beatles as an example.

Los_Beatles_(19266969775)_Recortado

They fully broke through in the UK at the end of 1962. Between 1963 and 1966, by which time they were a global phenomenon that had never been seen before, they released:

  • Seven LPs
  • 13 Eps
  • 15 singles

On top of that, they also made two films, toured Britain and the world, and appeared countless times on radio and television. Think of the material Lennon and McCartney penned in that time. It truly changed the entire musical landscape.

That’s prolific. That’s influential.

I’m just an amateur, a dilletante by comparison.

I will remind you, though, that The Hocus girl is out in hardback in the UK and from November 1 it will be available everywhere as an ebook.

The Hocus Girl is powerful, persuasive and almost impossible to put down.” – Fully Booked.

“This historical tour de force reminds readers who come for the mystery that life hasn’t changed for the disenfranchised.” – Kirkus Reviews, starred review.

Shouldn’t you give it a try?

Hocus Girl final

Where Do The Characters Come From?

Just to start, I have to tell you the Kirkus Reviews, one of the major trade journals in the US, has given The Hocus Girl a starred revew (they also gave one to my last book, The Leaden Heart). you can read the full review here, but this is the final line: “This historical tour de force reminds readers who come for the mystery that life hasn’t changed for the disenfranchised.

I’ll take that.

Meanwhile..

10 years

 

They say that an author draws on people he knows for his characters.

I beg to differ.

I feel that in many cases I simply channel the people who populate my books. But if they have any traits, they’re not from people I know; they’re all small facets of me.

Richard Nottingham, for instance, is a very straight arrow, an utterly honest and upright man. Someone to be admired. He’s who I’d like to be, in an ideal world. The Leeds equivalent of the sheriff from a Western (albeit an old one). Amos Worthy is that creeping darkness in my soul. It’s there, I just need to let it out.

Dan Markham is cooler than I’ll ever be, a man at home in a jazz club or standing up to a criminal. He has style, something I’ve always aspired to but never achieved. Carla, his girlfriend, is the creative spirit I always wished I could be. But I never have quite managed to throw off the shackles of society.

Lottie Armstrong. She’s strength in adversity, someone who doesn’t give up. I suppose in some ways I have that, since I kept on fight to be published and eventually got there. But she’s a woman and that automatically makes her stronger than any man. And revisiting her 20 years later, she’s still got the resilience under all the sorrow. Urban Raven, from The Dead on Leave, has some of the same qualities. But with a crude plastic surgery face, his obstacles are more visible and obvious.

Simon Westow is resourceful, brave, intelligent, a man who’s overcome his past. That’s not me, of course; I’ve been far luckier than that. But I’d like to believe I had to spirit to be able to work my way up. Maybe I would, too. But probably not. Jane…Jane is my real darkness, the side we keep in because that’s what society teaches us. There are times I feel as isolated from the world as her. As an only child I’m good at keeping things inside, at being able to compartmentalise everything in my head. She’s the extreme, with everything coloured by a very deadly nature.

Tom Harper? He’s perhaps as close as I’ve come to a younger me, and his hearing problem certainly mirrors my own

Annabelle? No, Annabelle is channelled. She truly did come out of the ether. But thank God she’s here.

The Ten Year Project

 

It’s hard to believe, but next Spring it’ll be 10 years since my first book set in Leeds was published – The Broken Token, in case you’re curious. There will be a new Tom Harper novel appearing then, the eighth in the series, which will mean I’ve published a total of  22 novels and a collection of short stories set in Leeds in the last decade.

That’s not counting a couple of plays and involvement in the exhibition The Vote Before The Vote, where Annabelle Harper stepped into Leeds history.

annabellecard 200_2

Phew.

I’m going to celebrate it. 10 years is worth celebrating. It took a while to figure out how, though…

It has to be stories. After all, I’m a writer. So from November to next March I will have a short story with one of my Leeds characters each month. I’ll be starting with Dan Markham, taking him into the very beginning of the 1960s, then working my way back through time – Urban Raven, Lottie Armstrong, Tom Harper, Simon Westow, and finishing, quite rightly, with Richard Nottingham.

It’s going to be a challenge. I need to try and capture the essence of each of them, and in some cases it’s been a few years since we met. But I never like to make it easy for myself. I’ve even come up with a logo for everything 10th, just to warn you.

10 years

The Dan Markham story will appear in early November. I hope you’ll like in. In the meantime, you could read the new Simon Westow book, The Hocus Girl. It’s out in the UK in hardback now, and it’ll be available everywhere as an ebook from November 1.

Hocus Girl final

Cut Me And I Bleed Leeds

Cut me and I bleed Leeds. Not red, but blue and gold and white.

Maybe it’s true. The place is in my heart, my soul, my DNA, with all its soot and grime, its failings and its joys. Leeds is me and I’m bloody proud to be one tiny part of it. In my books (like The Hocus Girl, which was published in the UK on Monday, hint hint), I try to make Leeds itself as important as important as one of the people on the page.

For a long time it wasn’t that way. At 18 I was happy to move elsewhere and I ended up abroad for a long time. But eventually, with that twitch on the thread, Leeds called me home. I moved back six years ago last week and I’ve never felt as if I ever fitted anywhere quite so well.

I’ve been thinking about the first time I realised quite what Leeds meant, when it became more than home, school, the city centre and our neighbourhood. It was probably towards the end of winter in 1961, when the teenage son of my mother’s boss (poor lad) took me to my first match at Elland Road to watch Leeds United play. February or March, maybe. Certainly a grey, dank day, and I was all wrapped up in my dark blue gaberdine school raincoat. My school was very much rugby league – all the boys were taken to the park to play – but football in the playground. Boys and girls had separate playgrounds, covered in sharp gravel, and boys had to wear short every day, no natter the weather. It meant constant sabs on the knees.

I loved football back then, in the way that only a young boy can. So the trip was magical, to an area of town I’d never seen before. Far enough away that it might have been another country. Then into the schoolboys’ pen, and so many people. All the noise.

I don’t remember who we played or what the score was. But all these men singing and cheering for Leeds resonated in me. It stirred something, somewhere in the dirty, black and white world that was the start of the Sixties.

Of course, I didn’t understand what or where or why or how. Really, that didn’t come for decades, not until absence made my heart grow fonder.

Not everyone develops an attachment to their hometown. Not everyone feels the needs to know how it became the way it is, or to celebrate the nameless and forgotten who helped to form it. That’s fine. It’s why I write about the place, to understand it in it’s different eras, its different shapes, from small town to grand city to something in decline. I just happen to be someone who was touched by the madness.

It’s not a perfect place, God knows. I shout and criticise it with the best of them. My Leeds is one that welcomes people from everywhere. It started with the Irish, the Romany, the Jews, and now from every country on earth. To me, they all have someone to give. They’re all Leeds.

So yes, Leeds is me. Take a saw to me and there will be Leeds written right through the middle. I used to think that was funny. Now, though, I say it with pride.

But please don’t actually cut me or saw me open, okay?

 

Related to this, I’m part of a panel on Saturday October 12 at the Leeds Library on Commercial St, talking about locality in crime fiction. I’m sharing the session with France Brody, June Taylor, and the German writer Ursula Maria Wartmann. It will be chaired by another crime novelist, Ali Harper. All the details are here.

Hocus Girl final

More From The Hocus Girl And Big News

A week and a half until The Hocus Girl is published in the UK.

Yes, I do believe it’s a good book, one of my very best (if you want to know, I feel it’s up there with Cold Cruel Winter, At The Dying of the Year, The Tin God, The Leaden Heart, and The Year of the Gun). It brings real depth to the characters, which you can never do with the first book in a series; at that point, you’re still getting to know them yourself. But Jane in this book…I knew from The Hanging Psalm that she was someone special, but in this she blooms…well, you’ll have to read the book and see, won’t you?

And…BIG BIG NEWS…to put the icing on the week, the publisher has said they’ll be putting out the third book with Simon Westow and Jane at the end of September 2020 (hard to believe such a time exists!). It’s called To The Dark.

Meanwhile, have two more brief extracts from The Hocus Girl to push you to buy it/reserve from the library.

 

As he walked back towards Leeds, Simon sensed someone behind him. Trying to be quiet and doing a piss-poor job of it.

Close to Lady Bridge the path curved, the bushes at the side growing thick and wild. For a handful of seconds, he’d be out of sight. That was long enough. Simon slipped the knife from his sleeve.

By the time the man appeared, head moving from side to side in confusion, Simon was hidden from view. He loosened a second knife in his boot. Give it another few moments. Long enough for the follower to grow frustrated.

Screened behind the leaves, Simon held his breath. A broad, hulking man with a vicious expression was staring this way and that. A club dangled from his belt, next to his knife. Very likely another weapon or two hidden on his body.

The man turned, eyes searching, then stared at the road beyond the bridge. Lady Lodge stood alone, surrounded by a field and a hedge before the hill rose towards a row of half-built houses.

Simon eased himself out from the branches, tensed then dashed forward. Just five paces, but he was moving fast enough to send the man sprawling as he caught him behind his thighs.

The man tried to turn. Before he could struggle, Simon was on him, kneeling on his back, the edge of his blade against the side of his neck as he searched him. Two knives and the club. Simon tossed them into the beck. It had only taken three seconds, and the rush of it left his breathing ragged.

‘I don’t like people following me.’

No response.

‘Why are you doing it?’

‘Orders.’ The man’s voice was stifled in the dirt. Simon grabbed him by the hair.

‘Whose orders?’

‘Curzon.’

Now he knew who this man was. The magistrate’s bodyguard. Whittaker, the former government man.

‘And why does Mr Curzon care what I do?’

‘You’ve been asking questions about his case.’

‘Is that a crime now?’

‘It is if you try to stop justice.’

‘No, Mr Whittaker.’ He felt the man stir at the mention of his name. ‘I’m trying to stop an injustice. You’re going to go back and tell your master that.’

Whittaker snorted. ‘Do you reckon that’ll be the end of it? He’ll give up and apologize because you’re not happy? He’s more powerful than you’ll ever be.’

‘That doesn’t mean he’ll always win. You might want to remind him of that.’ He felt the man tense under him, ready to try and move. ‘Don’t,’ Simon warned. He pressed the steel hard against Whittaker’s neck. ‘I’ll have you dead before you even reach your knees.’

‘We’ll be seeing each other again.’

‘I daresay we will.’

‘Next time things be different.’

‘We’ll find out about that, won’t we?’ He rose swiftly, standing back with his knife ready. ‘Your weapons are in the water. The current won’t have carried them far.’

Simon walked away, alert, ready for Whittaker to chase after him. But he didn’t come.

Curzon had set his dog to warn Simon off. If his case was so strong, why would he need to do that?

 

She needed him to follow her to the churchyard. She’d be waiting there, waiting for him.

The man was twenty paces behind her, she judged. Even in the crowd she could pick out the rhythm of his feet as he followed her. She’d have plenty of time to prepare.

Jem was over by the wall, sitting and watching. He stirred as he saw her. Jane gave him a small sign: stay there, don’t move. Then she stood, as if she was slightly lost, waiting for someone. The knife was concealed in her hand.

Whittaker came up behind her. He probably thought he was quiet, but to her ears, he might as well have been an army on the move. He was close when she turned, and for the smallest moment his step faltered. Then he was on her, leering, his eyes hungry.

‘So you’re Westow’s little slut. People tell me you’re dangerous. There’s nothing to you.’

His hand moved, cupping her breast, fingers squeezing so hard that the pain shot through her. It shocked, it hurt, but Jane didn’t let her face betray a thing. One second, two and then three. Just long enough for him to think her had her cowed. The hilt of the knife rubbed against her gold ring as she let it slide in her fingers. Her right hand shot up and the blade carved a line down his cheek.

He jumped back as if he’d been burned, raising his hand to his face and bringing it down to stare in disbelief at the blood.

‘You bitch!’ he shouted.

Jane didn’t move. She stood with the knife in her hand. Her voice was quiet and calm, hardly more than a whisper.

‘I’m going to kill you,’ she told him. ‘For Henry.’

She took a step forward and Whittaker retreated, still pressing a hand to his face. Blood seeped through his fingers, dripping down his neck to stain the white of his shirt.

He kept moving, watching her until there was enough distance for him to turn his back and walk off.

She’d bested him. Humiliated him. He wouldn’t let this rest. He couldn’t; he was a man. Jane knew that before she began, but she didn’t care. The next time, though, he’d be cautious. He’d be slow. That didn’t matter. She’d do exactly as she promised.

‘Did he hurt you?’ Jem had run across as soon as it was safe.

‘He tried.’ She could still feel Whittaker’s touch on her body. Her breast ached. The mark of his fingers would show in a few hours. The hurt went deeper in her, to her core. She wouldn’t forget and she’d never forgive. ‘But I hurt him more.’ She turned to the boy. For now she’d put it out of her mind; there would be time to think about everything tonight. ‘Have you found the man with the limp?’

Hocus Girl final

A Taste Of The Hocus Girl

In a little more than a fortnight, The Hocus Girl will be out in the UK (Amazon is already sending copies to customers). If you’re a blogger or review, the book is available on NetGalley.

Yes, I really do want you to buy it. I’ll try to persuade you and twist your arm.

But perhaps a few short extracts might convince you. You can order from your local bookshop. Give them the business, keep them going. And if you can’t afford it, then please ask your local library to stock it. Libraries are vital to us all. We need to use them, to fight to keep them open.

I hope you enjoy this – please let me know.

 

Near the top of Kirkgate, Simon pushed open the heavy door of the gaol. The place was old now, mortar crumbling between the stones, cold even in the spring sun. The clerk at the desk raised his head.

‘Mr Westow,’ he said in surprise. ‘Have you brought someone for us?’

‘Davey Ashton. Do you have him in the cells?’

‘No, sir.’ The man frowned and pushed the spectacles up his nose. He put down his pen and rubbed the fingers of his right hand. ‘There’s no one by that name. When was he arrested?’

‘This morning.’

The clerk’s expression cleared and his mouth turned down. ‘Is this the sedition case?’

‘Yes.’

‘They’re questioning him at the Moot Hall. I’ll warn you now, though, they won’t let you in. It’s supposed to be secret, but I’ve heard there have been arrests all over the West Riding. Breaking up a rebellion, that’s what they’re saying.’

Simon felt a chill rise through his body. Rebellion was a capital crime. The death penalty. Hanging. In God’s name, what was going on?

‘Who’s the magistrate?’

‘Mr Curzon.’

He knew all about Curzon. A mill owner, a rich man who paid his workers as little as he dared and worked them as hard as he could. A man who’d honed away his compassion and conscience and replaced them with gold.

He’d be putting his questions, damning Davey to hell and threatening him with transportation for life or the noose. Simon felt the desperation clawing in his belly. He had to do something. But he wouldn’t even be able to see Davey until Curzon was done. And he didn’t know how he could save his friend.

‘I see. Thank you.’ A nod and he left. At least he knew his enemy now.

 

‘The government’s spying on Englishmen?’ For a moment, Simon wasn’t sure he’d heard properly.

‘You make it sound as if that’s something shocking,’ Miller snorted. ‘They’ve been doing it for centuries. They’re petrified, Simon. Terrified. With the price of food so high and wages low, they’re afraid we’re going to rebel like the French did thirty years ago and send them all to the guillotine.’

‘More Peterloos.’

No one would ever forget the day when a Manchester magistrate sent the cavalry to break up a political meeting. Fifteen had died, hundreds were wounded.

‘Or worse,’ Miller continued. ‘They’re taking no chances. So they’re sending agents to spy on people.’ He shrugged and drank again.

A spy. Simon considered the idea.

‘What else do you know?’

The man shook his head as an answer. ‘That’s it, Simon. Little things I’ve heard and put together. It might not be true. But I’ll wager good money it is.’

It was. He could feel it in his bones. He took out another coin and slid it across the table.

‘I’d like to know more about this spy. If you can find anything. Anything at all…’

Miller rubbed the thumb and the stubs of two fingers together. Money. ‘I’ll let you know.’

 

 

With great care, Jane emptied the sack. Five pieces made from silver. Barstow had stolen eight. Simon had recovered the watch; two still missing, exactly as the man had said. She stacked everything in the corner, tucked out of sight behind the chair, wadded her shawl and pushed it deep into the sack. A moment later she emerged into the daylight, the fingers of her right hand curled tight around the knife.

Someone was behind her. She could hear him, the way the rhythm of footsteps matched her own. It wouldn’t be Barstow; he didn’t have the skill or the courage. Not that it mattered. Jane was going to lead him through the courts and yards and finish up behind him. Then she’d make him regret this.

She didn’t even need to think where she was going. Leeds was imprinted in her mind, in her feet. She’d walked every inch of the town time and again, she’d lived on its streets when she was a child. Sometimes knowing where to turn and how to hide could be the difference between staying alive and dying.

 

It only took five minutes before she came out of a tiny ginnel to see the figure ahead of her, gazing around, unsure which way to turn. Jane stopped, staring in disbelief. Not a man at all. A woman. Taller and heavier than her, several years older, with a tumble of thick dark hair that hung like a rat’s nest over her shoulders. She wore an old, patched cotton dress too short to reach her clogs, a threadbare shawl gathered on her shoulders.

For a second, Jane was too stunned to move. Then she breathed slowly. Man or woman, it didn’t matter. This was a threat.

The woman tensed as Jane pricked her back with the tip of her knife and whispered, ‘Why are you looking for me?’

‘He paid me. Two pennies.’ She opened her fist to show a pair of coins.

‘Who?’ Jane wanted to hear the name.

‘Him.’ That was her only response.

‘Why? What does he want?’

‘He said I had to see where you went then go back and tell him.’ Her voice shook. ‘Please… don’t hurt me.’

Jane took two steps back. Something was wrong. As soon as he heard her voice, Barstow would have known exactly who she was. Every crook in Leeds knew she worked with Simon, and the thief-taker didn’t hide his address. This woman came from someone else. Who?

‘Then you’d better tell him I managed to lose you.’

‘I can’t.’

Silently, Jane took another pace away from the woman, eyes fixed, knife ready for any movement.

The woman turned, lunging. Light glinted on the blade of a long dagger. But all she caught was air. Before she could recover, Jane was on her. A slash opened the girl’s arm and her knife clattered to the ground. Jane kicked it away.

‘Do you really want me to kill you?’

A shake of the head. The girl pressed the edge of her shawl down on the wound, trying to staunch the blood. Her face had turned pale.

‘Then don’t come after me again,’ Jane warned. ‘Ever.’

For a moment she stared, then turned and walked away. Even as she did it, Jane knew she was making a mistake. If this had been a man, she’d have killed him. She’d been too cautious. Too generous. Too stupid. Too weak. This wasn’t finished yet. As certain as morning, the woman would return.

Hocus Girl final

The Thief-Taker’s Tale

On September 27 my new book, The Hocus Girl, will be published in the UK. A month later it’ll be available everywhere as an ebook, and from January 1 in hardback in the US.

I think it’s one of the best books I’ve written, up there with four others. I hope you’ll find out. If you’re a blogger/reviewer, it’s now available on NetGalley. If you read it, well, I honestly hope you like it, and you’ll leave a review.

That’s for the end of the month. Right now, as something to whet your appetites, here are Simon Westow and Jane. But a warning: it’s not for the faint-hearted.

leeds 1830

Leeds, June 1822

 

‘Sir…sir!’

Simon Westow stopped suddenly and turned towards the voice. All around, people on Briggate pushed and jostled past him. The butchers’ shops at the bottom of the old Moot Hall were doing brisk business as servants began early errands for their mistresses.

The man who called out gathered his hat in his hands as he approached. He had the hangdog look of someone who’d been beaten down too many times, and thick, callused skin on his hands, fingernails rimed with grime, eyes looking down at the floor. Not starving, and his clothes weren’t in tatters. A machine operative, perhaps. Someone barely surviving.

‘What can I do for you?’ Simon asked.

‘I don’t mean to disturb you, sir, but are you the thief-taker?’

‘I am.’

He looked up, a helpless man with only slivers of hope left.

‘Then I hope you can help me, sir. Someone’s stolen my little girl.’

 

Simon sat at the long table in the kitchen.

‘His name’s William Wardell. His daughter’s name is Anne. He claims that someone snatched her from his lodgings the afternoon before last. He’s spent every waking moment since then looking for her. He doubts he has a job anymore, but this is more important.’

‘Was the girl on her own?’ Jane asked. She worked with Simon, somewhere close to fourteen years old now and a natural at the trade. With a shawl over her hair, she could follow without being seen, and she had a rare sense when someone was trailing her. She’d killed people, he knew that much. He’d never asked how many. But she’d survived five years on the street before she began working for him. That was no place to turn the other cheek like a Christian, not if you wanted to stay alive.

‘The girl was playing and her mother slipped out to the shop. It was just four doors away at the end of Copenhagen Street. I met her. She’s as distraught as her husband, she blames herself.’

‘How old is the girl?’ Simon’s wife, Rosie, asked.

‘She turned five last month.’ He frowned and stared at the table. ‘A thin child, very quiet. According to the mother, she’s pretty, everyone remarks on it, and her hair is so pale it’s almost white.’ He stared at them. ‘One of her eyes is blue and the other is violet.’

‘That should help,’ Jane said. She started to rise.

‘Where are you going?’

‘To ask questions.’

The door closed behind her. In the silence, Rosie said: ‘This Wardell man, do you believe him?’

‘Yes,’ Simon replied. ‘I do. Any man who’ll walk away from a job to try and find his daughter is telling the truth.

‘Can he afford to pay?’

‘No. But we’ve done well this spring. Perhaps we owe a good deed.’

 

Jane knew what happened to the little girls who were taken. So did Simon; there was no need to say it. Anne Wardell had been gone a day and a half. If they could find her quickly enough, they could bring her home before the damage took her somewhere beyond returning.

She knew. Her own father had raped her when she was eight and her mother had thrown her to the streets. Better to keep a man who could provide than a daughter who took and took, someone her husband preferred to her. Yes, she knew. Jane lifted the shawl over her hair. She’s be invisible now, just another figure in a tattered dress. Jane reached into her pocket and gripped her knife.

Anne’s father had been asking questions, but he didn’t know people who might have answers. She did. And she’d make sure they told her.

The man lived in one of the courts that ran of Wood Street, between Briggate and Vicar Lane. Inches of filth covered the flagstones, tossed out of windows every morning for years and never cleared.

His room stood near the top of the building, up three flights of stairs. Some of the treads were missing and the bannisters hung loose. It all needed to be torn down and rebuilt. But as long as people were willing to pay for a room in this place, nothing would happen. Not when there were profits to be made.

She knocked on the door, hearing the sound of feet on the floorboards and watching the handle turn. As it began to open, she threw her weight against it.

Jane was slight, but it was still enough to send the man crashing back and catching him off guard. Before he could recover she held the blade against the side of his neck.

Simon had never killed anyone. It went against all he believed. He’d wound if he was attacked, but nothing more. Jane didn’t have those boundaries. She’d had to learn so she could stay alive.

And Ezekiel Harrison knew it.

‘Who’s taking young girls?’ she asked.

‘I don’t know.’

‘You’re lying.’ She could see it. He was desperate, but he’d still try and hide the truth from her. She pricked his skin with the knife, just enough to let a few drops of blood trickle down into his shirt collar and stain the cotton. The shirt was dirty. Nothing in the room was clean. ‘Who?’

He squirmed and tried to stay quiet. But the longer he looked into her eyes, the more he realized what would happen. No mercy for silence.

‘Marjorie Wilson and Elizabeth Wallace.’

‘Those names had better be right. If not, I’ll be back.’

She left him cowering on the floor.

 

‘I was given two names,’ she said.

‘Who?’ Simon asked. They stood by the old market cross at the top of Briggate, staring down the street towards the bridge and long slope down to the river. Two coaches set out within seconds of each other, one from the Talbot, another from the Rose and Crown, scattering people and barely avoiding a cart and its driver.

The air hung heavy, stinking of oil and soot, poisoned by the smoke that rose every day from the factory chimneys all around Leeds.

Jane told him.

‘I heard that Marjorie Wilson has been ill,’ he said.

‘I’ll go and find out,’ she said, but there was no trace of sympathy in her voice. ‘She might have recovered.’

 

Elizabeth Wallace. Simon had known her once. She’d been a matron at the workhouse when he grew up there. Not an ounce of kindness or compassion in her. She seemed to relish beating the girls for any little thing. Shutting them away in dark rooms, depriving them of food for the smallest offence. All to temper their wilfulness and wildness, she claimed. Finally the governors could take no more and she’d been dismissed.

She had a small house off York Street, quite new, not even ten years old. A young girl answered the door, wearing a dress made for someone older. There was fear in her eyes as she asked his name. She looked thoroughly cowed.

When she returned, she gave a small curtsey.

‘I’m sorry, sir, but Miss Wallace says she can’t see you right now.’

She tried to close the door, but Simon leaned against it.

‘I’m sorry. I know what she told you, but I’m afraid Miss Wallace will be disappointed today. I need to talk to her.’

She was in the parlour, working on a piece of embroidery. The woman looked up in annoyance as he entered with the servant trailing helplessly behind.

‘I told you not to let him in,’ she said to the girl.

Simon came close, towering over her. He was tall, broad, so different from the small child who’d entered the workhouse after his parents died.

‘I have a question for you.’

‘Run for the watch, girl,’ Miss Wallace shouted. ‘Tell them I’m being attacked.’

He heard the door to the parlour slam, then the front door.

‘It’s just you and me in here,’ he told her.

‘I know who you are. I’ll swear out a complaint against you for trespass.’

Simon bared his teeth in a smile. ‘You do that and the judge will hear how you snatch girls and sell them to the brothels,’ he said.

‘Prove it.’ But there was a tremor of fear in her voice.

‘That’s easily done,’ he warned. ‘But I still have to ask my question. I suggest you tell me the truth.

‘Why-’

His voice rose over hers.

‘You took a girl. One eye blue, the other violet. Don’t say it’s a lie, we both know it’s not. Who bought her?’

 

The room smelled of decay and death. Marjorie Wilson was just clinging to life. A neighbour fed her soup, changed her linen and the sheets on the bed. But the woman couldn’t even speak, let alone do anything more. It was an effort for her to even open her eyes.

 

She’s at Johnson’s,’ Simon said. ‘Elizabeth Wallace admitted it.’

They’d gathered round the kitchen table of the house in Swinegate. Simon, Rosie, and Jane.

‘Then we’ll go there,’ Jane said. She started to rise, but he shook his head.

‘He has two guards. I’ve seen them. They’re the type who kill. We’re going to need a plan to get inside.’

‘Two guards?’ Rosie said. ‘I have an idea.’

 

Rosie dressed in her best gown. Expensive deep-blue silk with a high waist, cut low and trimmed with a froth of lace. A small hat, sky blue and decorated with plumes. People turned to stare as she walked. Jane was beside her, uncomfortably aware of everyone looking, and making sure no one was following.

Out to Long Balk Lane. This had been a place for men with deviant tastes until two years before, when the woman who owned it had been murdered. Now a man named Johnson had opened it once more, drawing the same clientele. Men with deep purses and twisted mind.

It was a large house, a darker shadow in the deep night, its stones blackened by the years. It stood alone, set back from the street. At the top of the drive, Rosie took a deep breath.

‘Ready?’ she asked.

‘Yes,’ Jane answered.

 

The brick wall at the back had tumbled. He could walk over it and move quietly through the overgrown garden. Two years of neglect. So much the better, Simon thought.

Light leaked from the shutters, enough for him to find rocks the right size to throw. He was ready, in place. Now he just needed to wait for to right time.

 

‘Sir?’

The guard answered the door. A big man, his hair cropped short and a face filled with prize fighter’s scars. Heavily muscled in his black suit, neckcloth tied tight.

‘What is it?’ He was ready to dismiss them and close the door.

‘I hear the owner wants girls,’ Rosie said quickly. ‘My servant has been ill-behaved. She needs to learn her lesson in a place like this.’

His eyes moved to Jane, sliding away from Rosie. Suddenly he froze, the tip of a knife pressing into the flesh under his chin.

‘Move back,’ Rosie told him. ‘Very carefully.’

Jane closed the door and searched him. Two knives and a cudgel. He tried to stop her. Her knife flashed, slicing through the flesh of his palm. So sharp he didn’t know what had happened until he saw the blood flow.

After that he was docile, bound hand and foot and left in the hall.

Rosie put her fingers in her mouth at let out a long shriek of a whistle.

‘You know what to do.’

 

As soon as he heard, Simon threw one rock, then a second. The satisfaction of shattering glass. He brought his boot down hard against the lock on the back door. Once, twice, three time before it gave and swung wide.

The guard stood, smiling and waiting for him.

Simon had a knife in his hand. He took a second from his sleeve.

‘I’m giving you one chance to run. Once I’m done here, there won’t be anything left.’

The guard laughed.

‘Look behind you,’ Simon told him.

The man just shook his head. ‘Do you really think I’m that stupid?’

The next second he was on the floor, clutching at his leg. Jane stood over him, wiping the blood from her knife on his coat.

‘You’ll live,’ Simon told him. ‘But she’s cut the tendons. You’ll never walk properly again. Now you can crawl out of her.’ He kicked the man’s knife away and strode on.

They searched in every room, emptying girls and men from each as they went.

Jane spotted the small staircase. She crept up and eased open the door at the top. The room was lit by a single candle in a dresser. A girl lay on the bed in a nightgown, paralysed with fear. Hair so pale it glowed white. One eye blue, the other violet.

A man sat in the chair.

‘What do you think you’re doing?’

‘I’m taking her home. And all the others who’ve been stolen.’ She looked at the girl. ‘Your name’s Anne, isn’t it?’

No words, just a nod.

‘Hurry down the stairs. You’ll see a woman. She’ll look after you.’

The smallest hesitation, then the girl hurried off.

‘I know who you are. You work with Simon Westow. I have friends in Leeds. Important men. We’ll destroy you.’

 

The men had all vanished into the night, hiding their faces. Rosie gathered the girls around her, shepherding them back into town.

The blaze had begun at the top of the house. It had quickly taken hold, lighting up the night sky.

‘No one was left inside, were they?’ Simon asked.

‘No,’ Jane said. ‘There was no one alive inside.’

She turned away and began to walk.

Who Are The Thief-Takers of Leeds?

Thief-taker.

The title has a ring of romance, doesn’t it? Basically a forerunner of the private detective, back before there was an organised police force, other than the Bow Street Runners. But, like being a private detective, there was precious little glamour involved.

Simon Westow is a thief-taker, quite possibly the only one in Leeds at the start of the 1820s, when he first appeared in The Hanging Psalm. To understand how he makes his living, you need to know how justice worked in those days. Big crimes were prosecuted by the state – in The Hocus Girl, it’s the government, through its magistrates, who come after Simon’s good friend Davey Ashton – but theft was a different matter. When items were stolen, the victims would advertise in newspapers for their return. The thief-taker would endeavour to retrieve them for a fee. The victim could prosecute the thief, but it would be done privately, with no guarantee of success. No surprise that most people were simply happy to get their goods back.

Some thief-takers were corrupt, in cahoots with thieves. Simon, though, is far more upright. An honourable man who grew up in the workhouse, bullied and beaten in the early factories where he was sent to work. Until he was 13, already physically imposing, and he’d had enough. He walked out, to face life on his own terms.

He’s been lucky. Very good at his work, he’s become a wealthy man, with a house on Swinegate (that ironically belonged to Amos Worthy, a violent crook who lived there in the 1730s – see the Richard Nottingham books), a resourceful wife who helps at time, and twin sons.

simon and rosie thief taker

Simon and Rosie Westow

He’s a man of principle, trustworthy, respected – and also dangerous. He’s learned from all manner of people: how to fight with knives (he carries there – one on his belt, a second in his boot, and a third up his sleeve), to pick locks, to be a card sharp. And he’s intelligent, a man who can think on his feet.

He’d hate the term, but he’s a hero.

That’s Simon, but who is Jane?

She’s the enigma, the girl who appeared one day to help him find someone. A young woman by the time of The Hocus Girl. She has the ability to follow without being detected and to know when someone is shadowing her. As soon as she pulls the shawl over her hair, she becomes like every other woman: invisible. She knows every inch of Leeds; for fives years she lived on the streets, thrown out by her mother after being raped by her father. She’d a survivor, not afraid or anyone or anything. A killer when she has to be. Someone who expects perfection from herself, and cuts her flesh when she can’t achieve it.

She’s utterly self-contained, able to put all the parts of her life in different compartments and lock them away. She doesn’t need anybody. She doesn’t want anybody. What she owns, she carries in the pocket of her dress, and her most precious possession is her knife. She has money – Simon pays her half of what they earn together – but it’s buried under a tree. She’s a rich young woman if she wants to be, but it’s nothing to her.

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Jane

Jane lives with Simon and his wife, Rosie, sleeping in their attic. But it’s a place with a bed, not a home for her. She could walk away without a qualm. There’s only one person in Leeds that she cares about, an old widow named Catherine Shields, who lives in a space off Green Dragon Yard where the town seems to vanish.

Over the course of The Hocus Girl, Jane is going to learn about herself and her past. Things she’d never imagined, things she’d chosen to erase. She’ll learn to come face to face with the truth.

Simon Westow and Jane…the thief-takers.

The cheapest place to pre-order a copy of The Hocus Girl is right here. But better still, why not order it from your local independent bookshop, or from Blackwell’s or Waterstones?

If you want to know what a hocus girl does…you’ll have to read the book.

Hocus Girl final