A Play With Live Jazz

I’ve been sitting on this news for a while, but as the official announcement was made today, I’m very pleased to tell you that my play, New Briggate Blues, commissioned by Jazz Leeds, will be performed next July as part of JazzLeedsFest 2018.

It features Dan Markham, the Leeds enquiry agent from Dark Briggate Blues and The New Eastgate Swing, along with his wife, Carla, as well as a live jazz quintet, who will perform during the play.

It’s very much a celebration of Studio 20, the Leeds jazz club that features heavily in both books, and will be directed by Ray Brown.DBB cover crop

A Christmas Tale

I’m not really one for Christmas in my own life. I never have been. But every couple of years I still seem to end up writing a Leeds Christmas story. Don’t ask; I can’t explain it, either.

This time, though, I wanted to do something different. I’m reading Steve Roud’s wonderful Folk Song in England, and the section on Town Waits – the official musicians employed by many towns, who also doubled as the night watch – struck a chord.

Leeds had its Waits back in the 16th century; they’re documented as far back as 1530, and their history might stretch back even further. As well as their watch duties, they played for official occasions and balls, and often undertook private engagements. In the 17th century, certainly, Leeds Waits were popular, as played as fair away as Carlisle and Newcastle. In other words, they must have been good.

And why Elizabethan Leeds? Why not? After all, I said I wanted to do something different.

We do have a revived Town Waits, who perform occasionally. You should see them if you can.

And on a final note before the story, don’t forget that Free From All Danger, the first Richard Nottingham book in over four years, came out recently. It makes a fine gift for family and friends.

Now, sit down with a mince pie, enjoy, and be of good cheer.

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Leeds, 1559

The crisp weeks before Christmas were always fruitful. The musicians of the Town Waits would perform at the balls and parties around Leeds. Dances and tunes, songs and carols, then the last two dances to close the evening before a walk home in the cold darkness with coins jingling in their purses.

Daniel Wakeman tugged his cloak tighter and tucked the fiddle against his body. It was well wrapped, but the night was frosty and he knew the instrument well; if it grew too cold, it would complain by refusing to say in tune tomorrow. It had belonged to his father, a member of the Waits before him, a beautiful piece of work, but temperamental as a young girl.

Tonight had been good. Out in Potternewtown, a crowd that appreciated everything they played, and a generous host. Good food sent from the table and a jug of ale refilled as often as they needed. Then three shiny pennies each to carry home.

‘I’ll tell you what,’ he said to the others, ‘I’ll play there whenever they ask.’

Sam Hardy and Tom Carter laughed. Old John Whittaker said nothing, the same as ever, but he’d always been the quiet sort. They walked on, following the road into town. The last few nights had seen some killing frosts, and the earth was hard and rutted under their shoes. Clear skies and a bight enough moon to see his breath bloom in the air.

‘Did you hear about Pawson?’ Tom asked. ‘Someone’s been saying his wife’s made him a cuckold.’

It was all they needed to set tongues going, the speculation of who and when. Leeds was small, a place where everyone knew all the faces, whether high or low. New folk arrived every week, drawn by the way the wool trade was growing, but most were like Daniel, born in the town and lived there all their lives. He knew Pawson the clothier, he saw him almost every day. His wife span wool for the man. It brought in extra money they always needed. Being in the waits meant the silver badge and a good livery, the blue as dark as the evening sky and the yellow like a June sun, but the pay was small. Six nights a week walking around town, playing soft music to soothe the sleepers, keeping a watch for fire or burglars, then something louder to wake people in the morning. But it was a life full of music, and that was enough for him.

Music was joy. He felt free when he was playing. Even the recorder he used as he walked the street on the night watch. But the fiddle was what he loved. He felt he had a special bond with it. Not like some he heard, scraping to bow over the strings to give a sound that made him wince. His father had taught him well, God rest his soul. He caressed the notes, he made them dance. He couldn’t read a note of music, but he only needed to hear a melody once and he could play it.

But they were all good, even grumbling John, his back bent now under the weight of his bass viol. Sam with his lute, and Tom on the other fiddle. The best in the North, some people said, and who was he to deny it? They played all over, not just the parishes around Leeds, but for milady in Skipton back in the summer and as far away as Newcastle once, and Carlisle. They had a reputation, and he was proud of it.

‘Give us a song, Sam,’ Daniel said. Hardy had the best voice of them all, a sweet tenor that the ladies loved. A moment later, he began:

‘The hunt is up, the hunt is up,’ and they made it into a round, voices echoing loud against the silence of the night. But out here there were none to disturb.

By the time they neared Mabgate, Daniel could feel the cold eating through to his bones. A fancy hose and doublet might look fine enough, but they did little to keep out the bitter winter. Even a thick woollen cloak wasn’t much help. But he was close enough to home; soon he’d be warm again.

It wasn’t the best part of Leeds, not one of the fine houses of Briggate or Kirkgate with their painted timbers and brilliant white limewash, but it suited his pocket. The children were grown and gone to lives of their own; he and Maggie didn’t need much. A room downstairs for living and cooking, another upstairs which held the rough bed he’d built for them and two small chests of clothes. Plenty of room behind to grow most of their food and keep the pig and a pair of chickens. It was more than many possessed. And he didn’t mind the drabs who touted for trade on the road. They were like everyone else, simply trying to scratch a living.

What he did miss, though, was a cat. Theirs had died six months before. Eighteen years old, and a fine mouser in his day. He’d been good company while Daniel practiced on the fiddle in the bedroom and Maggie span downstairs. We all have our time, he thought. That’s how God wills it, and it was a good, long life for a cat.

With hushed goodnights he said his farewells to the other Waits and started along the street, lost in his thoughts.

Then the sound caught his ear. The tiniest mew, so faint he couldn’t even be sure it was real. It came from across the road. He stopped to listen, hoping to hear it again. And just as he did, right in front of him, a slate toppled from the roof, smashing and splintering as it hit the ground exactly where he’d have been walking.

For a moment, Daniel couldn’t catch his breath. God save us all, he thought, and the Lord had spared him for some reason. He felt himself beginning to shake and held the fiddle close. Then he heard the sound again, a little clearer. Over there, in the bushes by Widow Elizabeth’s house.

It was caught in a tangle of briers, a small, cold creature that tried to shy away from his touch. But he was gentle and patient, easing away the thorns until he could lift the kitten and feel its heart pounding hard against his palm.

No more than four weeks old, so thin he could wrap his fingers around its body. He stroked its fur, hearing the smallest start of a purr. Where had it come from? Not from any of the cats around here, he knew that. And it was still to young to be away from its mother.

But it had saved him. It was a gift.

‘Come on,’ Daniel said as he rubbed it head, ‘let’s get you inside. You need something to drink.’

The fire was banked for the night, but still far warmer than the darkness outside. An old rag for a bed. A dish of milk. He watched as the kitten drank, tentatively at first, then greedily.

Daniel put the fiddle away in the cupboard, resting it carefully on the shelf. It was his livelihood and his pleasure; he always kept it secure. He poured a mug of small beer, sitting on the bench to watch the cat. It was standing now, wobbling a little as it explored a little. A few steps around, then back, nose in the dish for more milk before it mewed again, then settled on the cloth.

‘I heard you come in,’ Maggie said from the top of the steps.

‘We have a new cat,’ Daniel said. ‘Come and meet it.’

‘A new cat?’ she asked in surprise as she came down. ‘What made you do that? It barely looks alive.’

‘I had to. This one just kept your husband alive. If it hadn’t cried out, I’d have been brained by a falling slate from the Thompson’s roof. I think it deserves a home after that, don’t you?’

She squatted, staring at the kitten in the faint glow from the fire, then reaching out and stroking it.

‘What are we going to call it?’ she asked.

‘Yule,’ Daniel replied. It seemed right.

 

 

Free From All Danger – The Launch

On Thursday I officially launched Free From All Danger. You know that, of course; I’ve been talking about it for a long time.

It was a great evening, about 50 people turned up (some joined the Leeds Library on the spot; others plan to do so very soon, which makes me happy).

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The audience arrives

And it all finished up with the splendid Hill Bandits performing an aching, grieving version of Our Captain Cried – the song that gives the book its title.

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The Hill Bandits

And people enjoyed the performance. Some said they’d never come across anything quite like it before, the mix of words and music. And the music (composed and recorded by an old friend, Chris Emmerson, with the fiddle piece behind Con the Blind Fiddler composed and performed by Hal Parfitt-Murray of the Danish band Basco) was excellent, atmospheric, and moving at times.

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The author and composer share a moment

I know many of you couldn’t be there. And I didn’t want the moment to simply vanish. After all, I’d put in a month’s rehearsal to try and make sure the timings worked. It was more intense than I’d expected, a huge step outside my usual comfort zone.

Over the weekend I recorded a version of the soundtrack. Nothing fancy on the voice, just dry, using the mic on my computer, then a quick mixdown with the music. I hope you’ll fancy giving it a listen:

One small warning. It will eat up 25 minutes of your time.

Meanwhile, I’ve included a few pictures from the event. Thanks to all who came, to the Leeds Library and Leeds Big Bookend, and Waterstones for coming and selling copies of the book.

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Just remember, that time of year is coming soon, and books make great gifts. Especially, I’m told, crime novels set in Leeds in the 1730s. Would I steer you wrong?

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On the publication of Free From All Danger

Today, Free From All Danger, the seventh novel to feature Richard Nottingham, the Constable of Leeds in the 1730s is published.

It feels as if I’ve been waiting for this for a long, long time.

In many ways, I have. His last outing, in Fair and Tender Ladies, was more than four years ago. But coming back to him was like visiting a close friend. One who’s older, wearier, who looks at life a little differently.

Richard and I, we knew we had unfinished business. I’d originally planned to have eight books in the series, enough to tell his story properly, to let it unfold. Of course, it’s not simply about him. The books have always been about relationships. With family, with the men who work for him and the people in Leeds. They sit at the heart of it all, just as they do in life.

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It’s a period that’s been sadly unexplored in fiction, especially in mysteries. But in Leeds, it was a decade of change, as the town began to grow fat on the sale of woollen cloth, and the merchants became the men who ran everything. And the poor…stayed poor. More of them, drawn by the chance of making a fortune. But opportunity was a rare thing.

It’s always been the lives of the poor that have interested me. They go unremarked and unremembered. Curiously, even Richard Nottingham, who was a real person, and a privileged one, seems to have left no trace; I’ve been unable to find any mention of his death (or birth, for that matter) in any parish register. If I make readers feel what life was like for those in Leeds at the time, then maybe I’ve done something right.

Of course, I’d love for people to buy the book. But I also understand that hardbacks are outside the price range of many. The ebook will appear on February 1, 2018, when the book is published in America. Or reserve it at your library. If they don’t have it, ask them to order a copy. Honestly, it all helps. If you don’t know the series, they’re waiting out there for you.

Finally, if you’re in Leeds on November 9, come to the book launch. It’s free, of course, a performance piece with a specially-composed soundtrack and a little live music at the end. At The Leeds Library on Commercial Street, 7pm. Email them and reserve a seat, though.

Richard and I both thank you.

Free From All Danger – Once More

Two weeks from today, Free From All Danger will be published. It feels as if I’ve waited a long time for this. I have, really. It’s four and a half years since the last Richard Nottingham novel. Back then, Richard and I knew we still had some unfinished business.

So it deserves a big launch. November 9 it will have one, with a specially-composed soundtrack and some live music, to be held at the glorious Leeds Library, the oldest subscription library in England. The event is free; all you need to do is reserve a seat. Waterstones will bring copies of the book for you to buy, of course.

Two weeks,,,fourteen days. In the meantime, I’ve made another trailer for the book, to give a feel of it…

 

And here’s the first one that I did a few months ago…

(Two days later I’ll be taking parting in a second performance of It Happened At Leeds, about the Leeds Convention of 1917, at Chapel FM in Seacroft. Pay as you feel.)

 

Free Time Travel

Books are portals to other places, other times. They possess that fragment of magic to transport a reader, to wrap them in another world.

I hope that’s what I’ve managed with Free From All Danger. To take you to 1736, to walk through Leeds with Richard Nottingham, to see the place through his eyes as he returns as Constable. To hear the noise, smell it all, see the faces…

Some of might have have read the previous six books in the series. The last appeared in 2013, more than four years ago. At the end of the last book, Fair and Tender Ladies, Richard retired.

But things change, live never stands still, and circumstances bring him back. The big question for him is whether he can still do the job…

 

“Sometimes he felt like a ghost in his own life. The past had become his country, so familiar that its lanes and its byways were imprinted on his heart. He remembered a time when he’d been too busy to consider all the things that had gone before. But he was young then, eager and reckless and dashing headlong towards the future. Now the years had found him. His body ached in the mornings, he moved more slowly; he was scarred inside and out. His hair was wispy and grey and whenever he noticed his face in the glass it was full of creases and folds, like the lines on a map. Sometimes he woke, not quite sure who he was now, or why. There was comfort in the past. There was love.

Richard Nottingham crossed Timble Bridge and started up Kirkgate, the cobbles slippery under his shoes. At the Parish Church he turned, following the path through the yard to the graves. Rose Waters, his older daughter, married and dead of fever before she could give birth. And next to her, Mary Nottingham, his wife, murdered because of his own arrogance; every day he missed her; missed both of them. He stooped and picked a leaf from the grass by her headstone. October already. Soon there would be a flood of dead leaves as the year tumbled to a close.”

 

Bringing Richard back was like spending time with an old, trusted friend and a long time away. I treasured it. I value Richard, his family, and I want to take you with me to spend time with them, to live their lives.

My copies of the book arrived on Monday, and it was a thrill hold hold one, to open it. By now, you’d think I’d be used to it. But this is…special. Some of you had emailed to ask when Richard would return. Here’s your answer.

The book is published in the UK on October 31 – four months later elsewhere. If you’re close to Leeds on Thursday, November 9, I hope you’ll come to the launch for it, at the Leeds Library on Commercial St (the oldest subscription library in England, in the same building since 1808. There will be a specially-composed soundtrack, and some live music. Starts at 7 pm, and I’d love to fill the place…

Obviously, I hope you’ll buy the book. I’d love that. But I know that many can’t afford it. Borrow it from your library – support libraries in every way you can. If they don’t have it on order, request it…

More than anything, I hope you enjoy it. And thank you, because without readers, writers are nothing.

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The Hanging Psalm, Part 2

When I put the opening to The Hanging Psalm on here (the previous blog entry – scroll down to read), it brought some interesting reactions.

It’s still moving ahead, and looking a bit more like a book – although that always remains to be seen. I start many more things than I complete.

But I thought I’d give you one more taste of it, as the plot and characters open out a little. So, please, tell me what you think.

 

As he left the Moot Hall, Simon curled his hands into fists and pushed them into the pockets of his trousers. Briggate was thick with carts and people. He moved between them without noticing. His head was filled with the faces from the past. The children who fainted after working for twelve hours without food or water, because the overseer wanted the most from them. The boy who lost three fingers in a machine, just standing and staring at the stumps, not able to say a word.

And finally, the day he carried a girl back to the workhouse, the bloody patch steadily growing on her skirt after two men had their pleasure with her during their dinner break. Catherine, just turned eleven the week before; that was the all he ever knew about her. She moaned in his arms, in too much pain to cry.

He was thirteen, grown big and strong and defiant. He pushed the door of the matron’s office wide, and gently lay Catherine on her desk. The woman was protesting, shouting, but he didn’t want to hear anything she had to say. Simply turned on his heel. He was never going back.

 

There was still an April chill in the air as he stood and gazed down on the river. The water moved slowly, stinking and dirty. Swirls of red and ochre and blue eddied on the surface, waste from the dyeworks. The body of a dead dog bobbed lazily up and down in the current.

Simon took off his hat and ran a hand through his hair. He needed to let his thoughts ebb away. He needed to forget. To let the fire burn down to embers again.

From the corner of his eye he noticed a movement, a shadow.

‘It’s only me.’ The girl kept a wary distance, eyes on him. She was thirteen, older perhaps, maybe even younger. As invisible as any of the children who roamed the streets in Leeds. An old, patched dress that was too small for her. Stockings that were more holes than wool, battered clogs on her feet. Dirty face and hands and a grubby cap covering blonde hair. ‘The missus sent me after you. I saw you leave the Moot Hall and followed you down. You’re all dressed up today.’

Simon had worn his good suit, the short, double-breasted jacket in fine worsted with long swallowtails and tight, narrow trousers. A ruffle at the front of his shirt and a tall-crowned hat with its curled brim on his head. He’d wanted to make an impression, to show that a boy from the workhouse could be a success. But by now he probably didn’t even exist for them.

‘What does she want?’ He took a breath, tasting the soot that spewed from the factory chimneys. Slowly, he felt the anger recede.

‘Someone’s waiting to see you. Looks like a servant, I caught a glimpse before she sent me out.’ She waited a moment. ‘Are you coming?’

‘Tell her I’ll be there soon.’

He watched her move, melting into the press of people. Who noticed a child? Who noticed a girl? That was what made Jane so useful. She could follow without being seen, she could overhear a conversation without anyone realising she was close.

Simon gazed around. Grim faces everywhere. People who looked as if they were just clinging on to life. He began to walk.

 

The house stood on Swinegate, right on the curve of the street. He could hear Rosie in the kitchen, talking to the twins as she worked. She raised her head as he entered, pushing a lock of hair away from her cheek. An apron covered her muslin dress. She brought the knife down sharply on a piece of meat.

‘Jane found you?’

‘She did. Where is he?’

‘I gave him a cup of ale and left him in the front room. Arrived about half an hour ago.’

Simon nodded.

‘How was it?’ she asked.

‘Give them three lifetimes and they’d never understand. All it did was drag up the past.’

She gave him a tender smile.

‘It’ll fade again. It always does, Simon.’

‘I suppose it will.’ She was right; it always had before. His sons peered at him around the corner of the table, two identical heads. He stuck out his tongue and they began to laugh. They were the best medicine he knew.

 

The smile vanished as he opened the door and walked into the front room. The man in the chair jerked his head up at the sound as if he’d been sleeping.

‘I’m Simon Westow. You wanted to see me?’

‘My master does.’

Jane was right. He was a servant. But a trusted one, if they were sending him here. Older, with sparse grey hair and a grave, formal manner to match his dark clothes.

People didn’t seek Simon out. They placed a notice in the Mercury or Intelligencer for their stolen property. He found it, returned it, and gave them the name of the thief. In exchange, he received the reward. If they chose to prosecute, they could take their chances in court.

That was how a thief taker worked. No one came here for his services.

‘Who’s your master?’

‘He’d rather not be identified yet.’ The man gave a forbidding smile. ‘But he’d like to meet you today.’

‘Why?’

‘It’s a delicate matter. He’d prefer to tell you himself.’ The man reached into his waistcoat pocket with two long fingers and drew out a sovereign. ‘He believed this might convince you.’

The gold felt heavy in his palm. Solid. Real.

‘Where and when?’

‘Three o’clock. Do you know Drony Laith?’

‘Yes.’ Out beyond Gott’s big mill at Bean Ing. Just woods and fields, where the town ended and the countryside began.

The man stood and gave a small bow.

‘What would you have done if I’d refused?’ Simon asked.

‘My master gave me a second sovereign. He’ll see you at three.’

 

He tossed the coin. It skittered across the kitchen table. Rosie’s had moved swiftly and it vanished, disappearing into the pocket of her skirt.

‘Handsome money,’ she said. ‘What’s it for?’

‘I’ll find out this afternoon.’ He poured a mug of ale and drained half of it in a gulp. She kneaded the bread dough, fingers spread as she pushed it down. She’d given the boys a small scrap; they sat, stretching it between them until it snapped, then starting over again.

This was where he felt complete. This was home.

Rosie began to shape the loaves, concentrating on her work. She’d blossomed, he thought, so different from the girl he’d seen sitting at the side of the road twelve years before, staring helplessly at a mile marker.

‘Can you help me, mister?’ she’d asked. ‘Does it say which way to London? I can’t read it.’

He’d told her, but she didn’t start walking. Instead, he sat next to her and they began to talk. She was still here. Now, though, she knew her letters and her numbers. He’d taught her, the same way he’d taught himself after he left the workhouse. And she learned quickly. His pupil, after a while his lover, and finally his wife.

‘Do you have any idea who sent him?’ Deftly, she slid the loaves into the oven.

‘Not yet. Has Jane come back?’

‘I heard her go upstairs.’

 

He knocked quietly, waiting for her reply. The attic was almost bare, just a bed, a basin and jug on a small table, and a haze of ragged curtain covering the window.

She’d been here for two years, yet there was nothing of her in the room. As soon as she walked out, it was empty. But he understood. Own nothing you couldn’t carry. A portable life, always ready to move, to run. Until he met Rosie, he’d been exactly the same.

‘I saw him leave.’

‘Go out to Drony Laith,’ Simon said. ‘I’m meeting his master there at three.’

He didn’t need to tell her to keep out of sight. It was habit for her; she’d learned it on the streets. Don’t let anyone see you steal. Keep clear of authority. Get caught and you’d be in chains, waiting for Botany Bay or the noose.

‘I know his face. He works for John Milner.’

Interesting. Milner had property all over Leeds, and investments in two of the manufactories that had gone up since Napoleon’s defeat. They’d never spoken, but Simon seen him in town, a sour prig of a man with a miserly face.

But what property had he lost that needed to remain such a secret?

‘Let me know if anyone goes along with him or if anyone’s following.’

The girl nodded.

‘Dinner will be ready soon.’

The Hanging Psalm

Leafing through a book a few days ago, I landed on the phrase ‘the hanging psalm’; it’s Psalm 51, intoned as a convict stood at the foot of the gallows, waiting to have the noose placed around his neck.

More than that, it was a wonderful title for a book.

And suddenly I had a story. How far it will go remains to be seen (of course). But for the moment, it’s roaring like a train. This is the beginning. I didn’t make up these facts. They’re from testimony to a commission, and they’re far more brutal than anything from my imagination.

What do you think?

Leeds, 1820

 

They were grave men. Sober men, neat in their black coats, white stocks snowy at the neck. Important people, businessmen, landowners who believed that wealth and position meant they knew about life. Three of them together at the polished table, papers arranged in piles before them. The one in the middle spoke.

‘Your name is Simon Westow. Is that correct?’

He waited for a moment before he answered. Let them look at me. Let them see me.

‘That’s right.’

‘How old are you?’

‘Thirty in July. If I was told the truth.’ He wasn’t about to call them sir. If they wanted his respect, let them bloody earn it.

‘You were in the workhouse, I believe?’ The man kept his voice even, reading from the sheet in front of him.

‘Went when I was four, after my mam and dad died.’ He could hear the scratch of a pen as the clerk in the corner took down his answers.

‘How did they treat you? When did they put you out to work?’

‘Are you really sure you want to know that?’

It made them stop. Just for a second. But he had their attention. The man behind the desk smiled.

‘That’s why we’re here. Our aim is to find out about child labour.’ A slight pause. ‘But you must know that. It was made perfectly clear to you.’

Oh yes, he thought. Perfectly.

‘They set us on at the mill when we were six, and let the manufactories do their worst.’

‘And what might their worst be? How often were you beaten?’

‘Regularly,’ Simon said. ‘Boys and girls alike.’

The man looked down and shuffled a few of his papers.

‘More than once the overseer made us take off our shirt, climb into one of the bins on the floor, and he’d hit us with his stick until we were bloody.’ He let his words remain calm as the images raced through his mind. The facts could speak loudly enough.

‘What else?’

‘They’d tie a two-stone weight to our backs and make us work. Two of them for the bigger lads.’

‘I see.’ They looked a little uncomfortable now, all three of them shifting on their seats. Good.

‘There was one boy who could never work fast enough. He tried hard, but he couldn’t manage it. Every week the overseer hung him from a beam by his wrists and beaten with a strap on his back to try and teach him a lesson.’

‘Did he improve?’

‘He died. He was seven years old.’

‘I see.’ The men were staring now. The clerk had stopped his writing. The only sound in the room was the soft tick of the clock. But he hadn’t finished yet.

‘Once they took a vise, a pair of them, and screwed one to each of my ears. Then they had me work half the day with them in place.’

‘Why would they do that?’

‘For their own amusement. I still have the scars.’

But they wouldn’t want to see, he knew that. He’d leave this room and they’d try to forget everything he told them. Maybe it would come back in their dreams tonight. Every night. Exactly the way it had for him.

‘Don’t you want to know where it happened?’ Westow asked.

‘That’s not part of this inquiry. We’re here to discover, not blame people for things that happened in the past.’ His voice changed, becoming gentler, trying to appease. ‘How long did you work there?’

‘Until I was thirteen. Seven years.’

‘Thank you, Mr. Westow.’

He stood, back straight, and walked to the door. A final question stopped him.

‘What is your occupation now?’

He turned to stare at them. ‘I’m a thief taker.’

Hanging Psalm revised

 

May You Live In Interesting Times

There appear to be some mighty things afoot. Autumn is going to be very busy. Three – yes, three! – books coming out, although the real highlight is going to be Free From All Danger, the first Richard Nottingham novel in over four years. The proofs have been completed and it’s with the printer, due out in October.

Richard and his family have always had a place deep in my heart, so it’s only right that the book launch should be a celebration. It’s going to be at the Leeds Library on Commercial Street on Thursday, November 9, at 7 pm (free, of course, but please contact them and book a place). It’s going to be an event, with a script and a specially-composed soundtrack by Chris Emmerson. There may also be some live music.

To start the ball rolling, here’s the first trailer for the book

May 2018 will see the publication of The Tin God, the sixth Tom Harper novel. My publisher said this about it: “…this latest entry continues the ongoing series themes of social change and progress, tradition vs modernisation, female emancipation, the grinding poverty and social injustice of the times, to superb effect, highlighting all too vividly the tensions caused by such rapid social change: what is highly welcome for some being anathema to others.  (Such tensions being all too evident in politics today).

 

Once again, devoted family man Tom Harper and his spirited wife Annabelle, battling passionately for the causes she believes in as an early pioneer on the long march towards women’s equality, make for thoroughly likeable lead protagonists, and the plot skips along at an impressive pace, conjuring up a compelling sense of rising tension as the election approaches.”

 

The launch event for this one will be a little different; it will be folded into an exhibition called The Vote Before The Vote at Leeds Central Library (2018, of course, marks the centenary of some women receiving the vote, although the exhibition highlights that many could vote in local elections before that. It will be curated by independent academic Vine Pemberton Joss, whose suggestion sparked the book.

 

Lastly, it looks as if Dan Markham from Dark Briggate Blues will star in a play. And a play with live jazz, at that. Nothing’s set in stone, but it seems likely to happen at Leeds Jazz Fest next July, and will mostly be a celebration of Studio 20, Leeds’ pioneering jazz club ibn the 1950s. No title yet, but the next 12 months promise to be very exciting.

Coming in October – Free From All Danger

I hadn’t planned on another post quite so quickly. But I’ve received the cover for the seventh Richard Nottingham book (yes, it’s been over four years since the last one), and it’s wonderful – see the evil on that face.

So here it is, the cover, along with the blurb.

Free From All Danger 1

October, 1736. Lured out of retirement to serve as Constable once again, Richard Nottingham finds Leeds very different to the place he remembers. Many newcomers have been attracted by the town’s growing wealth – but although the faces have changed, the crimes remain the same, as Nottingham discovers when a body is found floating in the River Aire, its throat cut.

 

What has changed is the fear that pervades the town. With more bodies emerging and witnesses too frightened to talk, Nottingham realizes he’s dealing with a new kind of criminal, someone with no respect for anything or anyone. Someone who believes he’s beyond the law; someone willing to brutally destroy anyone who opposes him. To stop him, Nottingham will need to call in old favours, rely on trusted friendships, and seek help from some very unlikely sources.